Photo of the Month June 2016 – Lemaire on Fire

The photograph of the month for June 2016 was taken this February during my Antarctica expedition to the Peninsula. We planned our arrival at the entrance to the Lemaire Channel for very first light and were fortunate to experience one of Nature’s truly great light shows. Over the course of about an hour and a half we cruised and drifted slowly though the brash ice of the Lemaire Channel as the sky exploded in a fireball of orange, red and magenta all around us.  I have been fortunate to travel through the Lemaire channel many times over the last few years and these conditions were without doubt the best I have ever experienced. Antarctica-3003-EditIf you hare interested in travelling and photographing in Antarctica be sure to check out the next expedition ‘Antarctica White Nature‘  that I announced a few days ago with good friend Ole Jorgen. This dedicated charter expedition is the ultimate way to see, experience and photograph this magical continent.

Iceberg in Antarctica
Iceberg in Antarctica

Guest Photographer: John Hurshman ‘Hot and Cold’

Following on from my recent guest photographer post from Kevin Horsefield – Iceland the Frozen North, I want to share a short interview and photographs from John Hurshman who recently accompanied me on my Iceland Frozen North 2016 Workshop. I have had the pleasure of travelling and photographing with John now in both Iceland and Namibia and am looking forward to sharing an expedition to Svalbard with him for Polar Bears next year. Please enjoy the interview by Digital Transitions and photographs from our most recent Iceland and Namibia trips.

DigitalEditors Note: While most of our clients are professional photographers deriving their income from their craft, we also have many clients for whom photography is a passion, but not a source of profit. We thought we’d share the work of one such client, John Hurshman, who has recently traveled to both Namibia and Iceland. This combination struck us as especially interesting as it highlights the robust nature of Phase One digital backs – from the heat of the African Desert to the cold of the Icelandic winter. We interviewed John by email, with some editing for length, clarity, and focus.1_IcelandDT: What is your relationship to the art and practice of photography?

John: I am a retired corporate CEO who has been involved in photography for 35+ years. While early on, I had work published by National Geographic Books, Audubon Calendar and National Wildlife Magazine, the demands of family, career and business travel precluded much time for photography. It is only since I retired in 2012 that I have had the time to re-establish my involvement in photography. Much of photo time is spent in the environs of Charleston SC, my adopted home. Additionally, I now have the time for photo tours/workshops… Namibia in 2014, Iceland in 2016 and Polar Bear of Svalbard scheduled for 2017.2_Iceland

DT: Have you switched to Phase One or do you use it alongside other cameras?

John: I haven’t really “switched” to Phase One, but use is in conjunction with another system… most recently Fujifilm X-PRO2 mirrorless. My primary reason for adding a Phase One back was to take advantage of more pliable files, improved color and tonal gradation, and greater resolution; I have not been disappointed! I am using my Phase One IQ260 on a Cambo tech camera, and enjoy the slower and more deliberate work flow. As a by-product of working with a Phase One back, I have adopted Capture One as my primary image editor; I prefer the interface, workflow and end product.3_NamibiaDT: Why did you select Digital Transitions to make your foray into medium format digital?

DT: Can you tell us a bit about your trip to Nambia?

John: I first worked with DT when I was having trouble getting answers from another vendor that I had previously worked with. DT has not disappointed; you always respond promptly and clearly. I had a tiling problem with my IQ260, and your tech people quickly helped me resolve the problem.5_Namibia

DT: Your trip to Iceland featured a near polar opposite (pun intended) landscape. What inspired you to travel there, and how did you plan your trip?

John: In April 2014 I completed a 20 day trip to Namibia to witness and photograph the country’s unique ecosystem with a group led by noted wildlife and wilderness photographers Joshua Holko and Andy Biggs. It’s one of the most arid regions in sub-Saharan Africa. My primary interest was the dunes at Sossusvlei which feature vivid pinks and oranges because of their iron content.6_Iceland

John: Iceland has been on my “Bucket list” for quite a while, due to its stark beauty, harsh conditions and geological history. I also prefer places where I can more closely interact with and get more involved in the environment… and take my time. Regarding planning my trip… that was done for me by the tour organizers, Joshua Holko and Daniel Bergmann. Following that 10 day tour, I hired another guide, Chris Lund, for 2 more days of travel to places that couldn’t be included in the first tour.7_IcelandDT: We especially enjoyed “Long Stretch of Black Sand Beach.” Can you step us through your mindset and process in creating this image?

John: My thought was for strong leading lines and a long depth of focus to convey the expansive nature of the scene. The image was captured with the Phase One IQ260 at ISO 50 on the Cambo Anniversary Edition with Rodenstock 40 HR-W lens at f/11. I wanted to have the patterns on the snow in the foreground illuminated by the sun, so the shadows would lead into the line of snow and wave receding into the distance. Additionally, I was hoping for the more distant section of the snow covered land to have some sunlight in order to draw the viewer’s eye more deeply into the picture. Sometimes, the foreground was illuminated, but not the background – sometimes vice versa – sometimes no illumination. But, there were enough thin spots in the clouds to encourage sticking with it. After about ½ hour of waiting, the thin spots in the clouds lined-up the way I had hoped. Also, the clouds did not clear completely, but thinned so that the sunlight was softened and not harsh. Sometimes you get lucky!8_IcelandDaniel Bergmann and I will be running our annual winter trip again in 2017 and bookings are now open and places are limited. Just drop me an email if you would like to join us.

New Zealand South Island Masterclass Workshop 2016

In a couple of hours I will be making my way to the South Island of New Zealand in preparation for my 2016 Masterclass workshop. It has been a full year since I was last in New Zealand and I am very much looking forward to returning to this magical country. May is a wonderful time to be visiting and photographing in the South Island; the fall colours will be just about at their peak and the weather is usually quite stable with fresh crisp mornings and rosy pink light.

We are looking forward to photographing around the island including several planned aerial shoots over the spectacular Southern Alps. Aerial photography from helicopter with the doors removed is an incredible experience over these majestic mountains. This photograph from the 2015 Masterclass was taken just on sunrise near Mount cook. Temperatures were will into the sub zero range and the resulting wind chill without the doors meant it was more than a little chilly. The results though are worth all the pins and needles…NewZealand-3313I am also looking forward to putting the new Canon EOS 1DX MKII cameras through their paces during this workshop. Over the last year I have been photographing with the Canon EOS 1DX and the EOS 5DSR 50 mega pixel camera. My experience with the 5DSR has been somewhat of a mixed bag and I have to say that on the whole I generally prefer the files from the original EOS 1DX (especially above the 5DSR’s base ISO of 100). Quite honestly, 50 mega pixels is just a whole lot more than I need for the vast majority of my photography and so I find myself reaching less and less for the 5DSR. The initial testing I have done with the new EOS 1DX MKII shows the files are considerably improved from the original 1DX; which in conjunction with the other improvements has me very excited about this new camera. I will have more to say about my thoughts on the new Canon EOS 1DX MKII in a future post as well as my thoughts on the current state of equipment in the industry.

For now, its time for a last luggage check and then its time to make my way to the airport. See you in the South Island of New Zealand.

Guest Photographer: Kevin Horsefield Iceland the Frozen North 2016

Two years ago I started a new segment on my blog for photographers with whom I have travelled before in order to provide an outlet for them to share some of their own writing and photography amongst a wider audience. It has been a while since the last post but I wanted to share some thoughts and photographs from Kevin Horsefield who recently accompanied me on my Iceland Frozen North 2016 Workshop. I have had the pleasure of travelling and photographing with Kevin now in Iceland on several occasions as well as Namibia, Antarctica and South Georgia. Enjoy his thoughts and photographs from our most recent Iceland trip.

Iceland the Frozen North 2016 – Kevin Horsefield

I ventured to Iceland in late Winter of 2016 with Joshua Holko and Daniel Bergmann.  As a veteran of their workshops, I know that we will be in the best possible location at the right time to maximize our photography. Daniel’s ability to read the light and Iceland’s fickle weather patterns are unparalleled.  Once at a location, Joshua can take over and helps his clients fine tune their compositions if necessary.
 
We seemed to be constantly dodging storms on this trip and dealing with rather flat light.  My solution was to shoot into the sun to bring a bit of drama to the scene.  With the sun being somewhat low on the horizon even at mid-day in Iceland, this technique can work well in these conditions.20160304-_N1A169620160307-_N1A1928
I also employ this strategy when I’m working with thermal areas, such as Hverir.20160309-_N1A206220160309-_N1A2097Backlighting also works well at Iceland’s famous black sand beach with the sun illuminating its translucent icebergs.20160308-_N1A1975
Some images work best with a conversion to black and white.  The color at sunset was so muted on this evening that I decided to strip it all away to emphasize this composition. I also added a slight blue tone to this image to convey the feeling of winter in Iceland.20160304-_N1A1731-Edit
More of Kevin’s Photography can be found at http://kevinhorsefieldphotography.com
Daniel Bergmann and I will be running our annual winter trip again in 2017 and bookings are now open. Just drop me an email if you would like to join us.

Antarctica Weddell Sea Trip Report – February 2016

In February 2016 I lead a dedicated photographic expedition into the Weddell Sea in Antarctica. Our aim was to get as far south as possible into the Weddell Sea in search of giant tabular icebergs and vast Adelie Penguin colonies. We hoped we may even visit Snow Island if conditions permitted and find the small colony of Emperor Penguins that lives on the island (As it happened the ice conditions prevented us from getting to Snow Hill).

This was the first expedition I have lead that has ventured this far south into the Weddell Sea and it turned out to be a truly excellent experience. Antarctic Sound is well known for its giant tabular icebergs and it did not disappoint with some of the largest and most spectacular tabular icebergs I have ever had the pleasure to photograph. We were particularly fortunate early one morning (around 3am) to have superb light on the icebergs near the mouth of the sound. These magical moments are the real bread and butter of these expeditions. Standing on the deck of the ship photographing gigantic tabular icebergs in wonderful pre-dawn light is an experience that just stays with you forever.Antarctica-7509-EditThis expedition departed from Punta Arenas in South America. Punta Arenas has quickly become my preferred departure point for expeditions to Antarctica. The Chileans just seem to be much better organised with their airport timing than the Argentinians and everything seems to run like a well oiled machine. Although Chile also charges a reciprocity fee on entry for Australians (and Americans) it can at least be paid on arrival without having to pre-purchase.

We did decide to delay our departure from port by a few hours due to the weather conditions on the drake passage (blowing in excess of 30 knots) which proved a wise decision and as a result our crossing was relatively mild. In the end the short delay was a boon as it placed us in a wonderful area for photography with great light.Antarctica-7487

By contrast to the Western side of the Antarctic peninsula, the rarely visited Eastern Side in the Weddell Sea offers a stark contrast that I find reminiscent of the landscapes found around Svalbard in the Arctic. The landscape on the more often visited western side of Antarctica predominantly consists of precipitous mountains with towering peaks of basalt, gigantic glaciers and rugged wild coastlines. By contrast, the eastern side is flatter, consisting of more rolling mountains with some areas free from snow and ice.

Our passage through the Lemaire channel on western side of the peninsula proved the highlight of the expedition with absolutely superb light that could only be experienced to be believed. We arrived at the mouth of the narrow channel just before sunrise and timed our entrance with first light (around 3am).Antarctica-3074-Edit As we sailed through the passage the light just continued to get better and better, reaching its peak in colour around the narrowest point in the channel. I have been fortunate to venture through the Lemaire channel on many occasions now and this was without doubt the very best light I have yet experienced in this remarkable location. The light actually proved quite challenging in post production as the color in the sky was so intense and the reflected light contained such a strong color caste from the sky that white balance selection was somewhat difficult. In the end the above photograph taken from the front bow of the ship with the cameras auto white balance best matched my recollection of the morning.Antarctica-3198-EditWe also visited the surreal Deception Island (one of my personal favourite places in Antarctica for photography). Conditions were misty, with low cloud and strong winds on our arrival, which provided a chance to capture some evocative moody images. Deception Island never fails to disappoint with its myriad of rusty whalers remnants that make for interesting subject matter. Deception Island

Being late in the season much of the snow around Cuvehrville Island and many of the other landing sites was gone, leaving exposed rocky Penguin rookeries and a glacial scarred landscape. The penguin chicks (already large) were starting to malt and were spread far and wide throughout the colonies.Antarctica1DX-7760Over the course of the expedition we encountered over 100 whales including Humpbacks. Orcas, Fin whales, Hour Glass Dolphins, Peale’s Dolphins and Minke Whales. We also saw and photographed numerous Albatross including Black-browed, Grey Headed, Sooty, Wandering and Light Mantled as well as numerous other Antarctic bird species.Antarctica-7003-EditOur return drake crossing proved a little bumpier than our first crossing, but on the whole was relatively mild.

This expedition to Antarctica and the Weddell Sea proved a fantastic opportunity to photograph giant tabular icebergs as well as polar landscapes and wildlife. The absolute stand out highlight for me personally was the incredible light we experienced as we made our passage through the Lemaire Channel as well as the giant tabular icebergs at the entrance to Antarctic Sound.Antarctica-6927I will be leading a new Antarctica expedition in 2017 that I am code naming ‘Iceberg Hunter’, that is dedicated to photographers and the photography of icebergs and antarctic landscapes. This expedition will depart earlier than all previous trips (in late October) in order to provide us with the best chance to find and photograph icebergs of all sizes and shapes (including giant tabulars) in good light. If you would like to get the jump on this expedition you can register your interest now (no obligation at this point) by dropping me an email at info@jholko.com. Places on this expedition are already limited.