Tag: art

WNPP Episode 104 – Canon EOS R5 Mk2 Musings from the Arctic

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I have just published episode 104 of my Wild Nature Photography Podcast. In this episode, I discuss my thoughts on the new Canon EOS R5 MK2 camera now that I have had an opportunity to use the camera in the Arctic for several weeks of intense photography (Eastern Greenland and South Western Iceland). I first tested the camera back in September in Australia over three days of landscape photography down the Great Ocean Road. During this shoot, I was photographing only from a tripod and had not yet shot handheld with the camera in my preferred polar environment. My initial impressions from this shoot in Australia were all positive, and I was very keen to get the camera up to Greenland to see how it performed. After shooting with the camera in Eastern Greenland and Iceland for the last three weeks, I have (perhaps surprisingly) concluded that this camera is not for me. The files are excellent at low to moderate ISO (ISO800 and below) but fall far short of those from the EOS R3 at ISO800 and above. Since most of my photography is at moderate to high ISO (typically 800 and above), this is a significant factor in my decision-making process. Of more importance, however, is that the ergonomics of the EOS R5MK2 just don’t suit my size hands or my style of shooting. It is a wonderful camera that will undoubtedly make many people happy – but it isn’t for me. Find out more in this podcast.

Current Workshop and Expedition Update July / August 2024

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I am currently working on a new deep-dive podcast on both the Canon EOS R1 and the Canon EOS R5MKII that I hope to publish later this week. The podcast will discuss the two cameras in detail as well as who is the intended market for each camera. In the meantime, I wanted to do a quick update on what is available in the way of Workshops and Expeditions for the second half of this year and early 2025.

Greenland September 17th – September 28th 2024: In the next four weeks, I will be guiding an expedition to Scoresby Sund on the East coast of Greenland. There is currently one place available as a result of a medical cancellation. This expedition is for those photographers wanting to photograph the most spectacular icebergs and landscapes found anywhere on Earth in the best possible light and conditions. Late September is the ideal time to visit Scoresby Sund as the sun is low in the sky and the first sea ice begins to form. Full details of the expedition are available HERE.

Emperor Penguins November 26th – December 04th 2024: In late November, I will guide an expedition for a very small group of photographers to Gould Bay in the Weddell Sea region of Antarctica to the world’s most southerly Emperor Penguin colony. There is currently one place available as a result of a medical cancellation. Full details of the expedition are available HERE.

Arctic Fox Expedition February 8th – February 14th 2024 & February 15th – February 21st 2025: In February, I will guide two back-to-back workshops for Arctic Foxes in the far northwest of Iceland. There are currently two places remaining before the workshops are sold out. These are the workshops for you if you have ever wanted to photograph Nature’s greatest feat of engineering—the Arctic Fox. Full details of the expeditions are available HERE and HERE.

Zululand South Africa Ground Level Masterclass Mayth – May 16th 2025: We are now down to the last five places on my Zululand South Africa ground level masterclass workshop. This is the workshop for you if you have ever wanted to photograph Africa wildlife at eye level – from the ground and luxury hide. Full details on the workshop are available HERE. You can check out the Portfolio of work HERE to get an idea of the sort of photographs you can make on this unique experience.

Please drop me an email if you have any queries or are interested in securing one of these last places.

Australian Photographic Prize 2024 Nature Single Capture Gold Awards

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Since the voluntary administration and closing of the AIPP (Australian Institute of Professional Photography), I have steered clear of the new Australian Photographic Prize Award. Like a phoenix from the ashes, the Australian Photographic Prize arose as a direct result of ex-AIPP member’s desires to maintain a high-level photographic (both print and digital) competition in Australia for both professionals and amateurs (after the Australian Professional Photography Awards that were an inseparable part of the AIPP became no more). I chose to avoid (not boycott) the Australian Photographic Prize (APP) in its first two years since I was on the board of directors that took part in the decision to shut down the AIPP via voluntary wind-up due to predicted and inevitable insolvency (based on projected cash flows). At the time, this was the fiscally responsible decision (although much has been touted otherwise), and I still believe this to be the case as a director who was privy to the full picture of the organization’s finances. As of today, there still remains a small chance the AIPP may be re-born – pending a Supreme Court decision on what is to become of the remaining surplus funds. I have a feeling we have not seen the end of the AIPP, and it may yet re-emerge in one form or another.

This year, I decided to put the closure of the AIPP behind me (since it felt like the dust had significantly settled) and enter the single-image Nature category of the Australian Photographic Prize. The Nature category was judged yesterday, and I just caught up on the preliminary results on You-Tube during some downtime here in Mongolia (on my summer workshop for Pallas Cats). Much like the deceased APPA awards, the APP awards are judged by a team of five professional photographers on a moderated panel. Of the five photographs I chose to enter this year, all five made the final round of judging (top 35 entered images). Three of the five have gone to receive highly coveted Gold Awards, and the remaining two racked up Silver with Distinction awards, with one photograph (of the two back-lit Cheetahs) being a single point off a fourth Gold award. Screenshots of the judge’s scores and images are included below. You can also watch the recorded live-steam for the Single Image Nature category below. The overall winner of the category will be announced in the next few days.

Addendum: Since this post, I have been notified that two of my photographs (the owl and Pallas cat) were in the final round of judging as grand finalist images.

Photograph of the Month April 2024 Arctic Snow Hare Gallop

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The photograph of the month for April 2024 comes from my recent winter expedition to the east coast of Greenland (full trip report coming soon). It shows an Arctic Snow Hare in full gallop during a howling -40º C blizzard behind the small Inuit village of Ittortoqitormit on the East coast of Greenland. I photographed it with the Canon EOS R3, and the Canon RF 600mm f4L IS lens. The real challenge of this photograph (other than avoiding frostbite) was keeping the fast-moving subject in the frame as it galloped at high speed through the snow. The blizzard wind was incredibly strong, making hand-holding the lens impossible. To counter this, I lay down in the snow, using the snow cover as a makeshift tripod, cranked up the ISO to 1600 and opened up the f-stop to f6.3. This close to the subject meant the depth of field would be extremely narrow, making focus critical. Anything less than perfect focus on the eye would result in zero keepers. Incredibly, the Canon EOS R3 could track and nail focus on the eye of the fast-moving Snow Hare despite the howling wind and flying snow. Focus Case 2 was used to ignore the whirling snow around the hare. The blue background is not the sky (which could not be seen in the white-out conditions), but the wooden wall of one of the small painted houses in the village. This is an excellent example of how depth of field control can be carefully employed to control backgrounds and enhance a photograph. Without the blue background, there would be almost no contrast between the Snow Hare and the background.

Asia Pacific Photography Awards People’s Choice Winner Nature Category

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The Asia Pacific Photography Awards have just announced the 2024 People’s Choice Award winner for the Nature category. I am thrilled to report my recent photograph of the Pallas Cat, titled ‘Regal Cat’, from Mongolia in winter was the overall People’s Choice award winner for 2024.

In 2022, I completely swept the pool in this category, taking First, Second, and Third place. This year, I won the Peoples Choice award in the nature category and drew with myself for third place in the judged category with the Pallas Cat photograph and the Pygmy Owl photograph. All three of my entered photographs were also top 20 and top 10 finalists.

I will return to Mongolia again in January 2025 and 2026 to photograph the Pallas Cat and the Snow Leopard. The 2025 expeditions are already sold out, but bookings are now open for 2026. You can email me for further information or to register your place. Full details are also available on my website at http://www.jholko.com/workshops.