Iceland South Western Landscape Extension Report October 2024

In late September 2024, I ran a short 4-day photography workshop on the Snaefellsnes Peninsula on Iceland’s stunning southwest coast. This workshop was designed as an optional extension for participants from our Greenland East Coast Scoresby Sund Expedition (Read the Trip Report). It offered a more relaxed, leisurely pace, providing time to immerse ourselves in the unique geological beauty of the basalt coastline.

The Snaefellsnes Peninsula is often referred to as “Iceland in miniature” because it encapsulates many of the country’s varied landscapes—volcanic craters, jagged coastlines, waterfalls, and black sand beaches—all within a compact area. For photographers, it’s a treasure trove of textures, shapes, and dramatic contrasts, making it an ideal location for capturing grand vistas and intricate details. During our time on the peninsula, we visited several iconic coastal locations, including Arnastapi, Gatklettur, and Malarif, each offering something different for the keen photographer.

One of the key philosophies I encourage in these workshops is the importance of exploration by foot. The Snaefellsnes coastline is rugged and dramatic, with intricate basalt formations that beg to be photographed from multiple angles. Rather than just stopping at viewpoints or busy tourist spots, we took the time to walk along the shoreline with cameras ready, searching for compositions that capture the essence of the place. The basalt formations in this region offer endless opportunities for wide-angle photography and more intimate detail work. The sharp geometric lines of the basalt columns contrast beautifully with the often turbulent seas, creating the perfect scene for long-exposure photography. At the same time, the interplay of water against rock creates opportunities for capturing more abstract and fine art compositions.

Arnastapi: Known for its dramatic cliffs and the famous basalt rock arch, Gatklettur, this location provided breathtaking seascapes and fascinating rock formations. It’s a photographer’s playground, with each step revealing new textures and compositions.

Gatklettur: The natural arch is a centrepiece for any visit to this region, and we spent time here exploring the surrounding coastline, capturing the sweeping views and focusing on the arch as the subject in long exposures.

Malarif: Located near the iconic lighthouse of the same name, Malarif offers expansive views of the coastline and was one of the highlights of our explorations. Here, the waves crashing against the basalt cliffs created perfect conditions for dynamic coastal photography.

We parked at various locations around the peninsula and then explored the surrounding areas on foot, both early in the morning and late in the afternoon. We photographed during the “golden hour” and stayed on location well into the sunset, capturing the changing light as it played off the landscape.

Iceland’s weather is notoriously unpredictable, and the initial forecast for the workshop was not promising—heavy rain and overcast skies were expected. However, the Icelandic gods smiled upon us, and we were instead treated to several days of ideal photographic conditions. Overcast skies created soft, diffused lighting, perfect for landscape photography. This gentle light minimized harsh contrasts and allowed us to capture the fine details in the basalt rock and surrounding landscapes.

One of the unexpected highlights of the trip was our visit to the Hraunfossar waterfalls, a series of waterfalls that cascade out of a lava field into the Hvítá River. To our delight, we arrived just as the autumn colours were at their peak. The contrast between the vibrant reds, oranges, and yellows of the foliage against the cool blues of the water and the dark lava rock was spectacular, creating scenes that were a photographer’s dream.

The Hraunfossar waterfalls are easily accessible by a nearby walking path, which allowed us to explore different vantage points and compositions without rushing. This location was a wonderful opportunity to slow down and appreciate the subtle beauty of the Icelandic landscape in autumn.

As our four days ended, we returned to Keflavik, where we concluded the workshop with outbound flights. It was a short but highly productive trip, filled with the moments that make Iceland a true haven for photographers. Each day offered something unique and memorable, from the striking basalt coastline to the vibrant fall colours. This workshop was about capturing beautiful images and fostering a deeper connection with the landscape. Walking the coastline, breathing in the crisp autumn air, and experiencing Iceland’s natural wonders up close was as rewarding as the photographs we took home.

For those looking to explore Iceland in the future, the Snaefellsnes Peninsula offers an unparalleled combination of beauty, variety, and solitude, even in well-known spots. With the right approach—tripod and camera in hand, ready to explore—you’ll find endless opportunities to create photographs that tell the story of this incredible part of the world. We will likely be offering a further Iceland landscape workshop in the future. Please contact us to register your interest.

Namibia Dune Sea Landscape Masterclass Workshop 2026

Today, I am excited to announce and officially open the bookings for an all-new Namibia Dune Sea Landscape Masterclass workshop. The workshop will run from May 19th until May 30th, 2026, and include an optional extension to the ghost town of Kolmonskop, which will run from May 30th – June 2nd. This masterclass workshop has been designed to take in the best of Namibia and maximise the time on the field. Namibia is a vast country, taking many days to navigate by 4-wheel drive. During this workshop, we will fly by private charter planes between each location, vastly increasing our time in the field and minimising our transfer and transit times.

On the South Western Coast of Africa, where the icy Atlantic Ocean meets the world’s oldest desert, lies a place known for its incredible landscapes and abundant wildlife. The unique combination of desert, grassland and cold ocean currents form a one-of-a-kind terrain found only here. For this reason, landscape photographers from all over the world journey to the Namibia Desert to try to capture its dramatic dunes and ethereal beauty. This landscape masterclass has been designed to provide the ultimate experience to capture the incredible opportunities offered in this fantastic country. Perhaps best of all, we will be flying between our different locations, saving many days of driving in the hot desert.

The goal of this masterclass workshop is to photograph the breathtaking desert landscapes of Namibia. This workshop has been designed to provide unparalleled landscape opportunities with a balance between flexibility and luxurious accommodations. This exciting new workshop has been custom-tailored to take in the very best of Namibia. It includes iconic areas like the Dune landscapes of Sossusvlei and several other breathtaking locations offering unparalleled opportunities. We also have an optional extension for photography at the incredible abandoned ghost town of Kolomonskop. There will even be a cultural aspect as we visit the Himba.

This exclusive workshop is for a strictly limited number of just 8 participants plus a leader and guide and is dedicated to the photography of desert landscapes of Namibia. If you are excited by the idea of travelling to the oldest desert in the world with a small group of dedicated photographers, now is the time to secure your place. Please contact me for further details. Places are very limited and once they are spoken for that’s it (some places already spoken for).

Greenland Hidden Gems September 2024 Expediton Report

In September of 2024, I ran my semi-annual Polar landscape expedition to Scoresby Sund (the world’s most extensive fjord system) in Eastern Greenland. This has been an expedition I have been organising, leading and guiding for more than a decade now and is one I always eagerly look forward to. Scoresby Sund is not only the most extensive fjord system in the world but also the most extraordinary. Monolithic icebergs drift like silent sentinels on gentle ocean currents set against a backdrop of precipitous glacial scarred mountains, making for surreal, otherworldly imagery. It is a breathtaking arena of icebergs unmatched anywhere on earth.

This expedition was a fly-in, fly-out trip that saw us fly by private charter plane from Keflavik in Iceland to Constable Point in Greenland. Although flights into eastern Greenland can often be delayed by weather, flying across the Denmark strait takes less than two hours and saves the better part of three days sailing in either direction across a notoriously rough stretch of water. Having sailed these waters multiple times, I much prefer to fly and spend the extra time cruising the calm waters of the fjord system. This year, we were blessed with good weather for flying, and our outgoing and incoming flights were on time.

On arrival at Constable Point, we had a quick briefing before embarking on our expedition vessel, the Rembrandt Van Rijn. Although the Rembrandt is a comfortable schooner and can take a maximum of 32 passengers, I always prefer to take just 16 and provide private cabins for everyone – this also offers more space on the decks for photography. With a group size of 16, it is also possible for all participants to utilise zodiacs simultaneously. After the mandatory safety briefings, we were quickly underway and made our way across the channel in calm seas to Vikinbukt.

In Vikinbukt, we had our first glacier sighting, several stunning blue icebergs, and six Polar Bears. Most of the bears were high up on the moraine slopes, where they seemed to feel safe to rest when not active and while they waited for the sea to freeze to resume hunting on the ice. During the expedition, as the sun set, I decided to put zodiacs in the water to achieve a sense of scale with the enormous icebergs juxtaposed against our expedition ship. These sorts of opportunities are only possible on dedicated photographic expeditions such as this and make all the difference to the final portfolio of photographs one takes away from an expedition such as this.

During the expedition, we had some extraordinary sunrises and sunsets with beautiful, soft, pastel light painting the sky and icebergs. The weather is always a mixed bag in Greenland. Frequent dramatic lenticular clouds perfectly complement the mountain peaks and stunning icebergs. We were extremely fortunate to have outstanding conditions for the duration of our expedition, with snow falling only on our very last day. We also had northern lights on multiple nights. This time of year, the Arctic tundra was also at its peak colour. Having now completed more than three dozen expeditions to Eastern Greenland, I have learned that by far, the best time to visit is September when the sun is low in the sky and there are proper sunrises and sunsets. Expeditions earlier in the season are typically lit by 24-hour daylight and blue sky days, making photographing problematic. By travelling in the late Autumn of September, we ensured stunning Arctic tundra and soft pastel light.

We had multiple photographic encounters with Musk Oxen during the expedition. On our landing at Ingmikertikajik island, we encountered a lone Musk Oxen that posed for us on the edge of a rocky prow. I always prefer to photograph Musk Oxen when silhouetted against the sky as they blend into their surroundings when photographed against the Arctic Tundra. This young male provided us with some beautiful opportunities.

Below is a map of the trip voyage and the locations we visited during the expedition. The astute and experienced Greenland travellers will note that we did not visit Rhode Island (the Red Island). Recent changes to restrictions in this area mean it is unfortunately no longer possible to visit this location (a restriction designed to avoid disturbing local Narhwales – which are still hunted and slaughtered by the local Inuit). Those of you who may have visited it in the past can rest comfortably knowing that you visited one of the most incredible iceberg graveyards on earth. For those of you who have never been there, there is always hope that restrictions will lift in the future. For this expedition we sailed around the back of Milne land, visiting the other side of the iceberg graveyard. We also encountered our first sea ice in this area in combination with some beautiful light.

Towards the end of our expedition, we made the short sail back to Constable Point, where we disembarked the Rembrandt and flew by private charter plane back to Iceland. After the short hour-and-a-half flight, we bid farewell and concluded our expedition.

Wild Nature Photo Travel will return to Greenland again in October of 2026 to lead a small group expedition to Southeastern Greenland. The landscape and geology of the East Coast of Greenland are both stunning and extraordinary. Our main objective is to photograph this incredible landscape under soft golden Arctic light. We will also see and photograph incredible castellated icebergs that have calved off the many glaciers of Greenland. Dramatic glaciers, plunging cliffs and beautiful drift ice formations will also be present. We intend to fly from Iceland to the remote East Coast of Greenland, where we will be based for the duration of this expedition. We will make day trips on our expedition boat and spend our time exploring and photographing some of the world’s largest and most spectacular icebergs. If you are excited about travelling to the remote East Coast of Greenland with a small group of dedicated photographers, now is the time to register your place by dropping us an email. Places are very limited, and once they are spoken for, that’s it.

Photograph of the Month October 2024 – Greenland Pastel Light Icebergs

The photograph of the month for October 2024 comes from my just completed East Greenland Scoresby Sund expedition (trip report coming soon). Photographed from the deck of our expedition schooner, the Rembrandt Van Rijn, this image directly resulted from positioning the boat in the best location at the best time. It’s a great example of the key difference between a dedicated photographic expedition and a general tourist trip. With time on our side and a team of participants all dedicated to making great images, I decided to simply stay with these two icebergs and wait for the best light of the day. This soft pastel light post-sunset is a wonderful example of what makes Greenland alluring to photographers. These types of photographic opportunities are abundant in Greenland and easily made from the deck of a suitable expedition-class vessel. In this instance, I used a 24-105mm F4 RF lens at F5.6 ISO800 hand-held. As we slowly circled the icebergs (numerous times!) I made many different photographs from different angles so that I could choose my preferred angle in post-production.

Ultimate Polar Bears of the High Arctic June 2025 Single Availability

A single private cabin place has just become available on my Ultimate Polar Bears of the High Arctic expedition, which will take place June 10th – June 27th, 2025. An 18-day expedition is an all-new opportunity to venture far north, east and west of Svalbard into the pack ice in search of Polar Bears. If you have ever wanted to photograph Polar Bears on a dedicated trip with like-minded, passionate photographers, this is the expedition you want to participate in. With 18 days, we will sail far north into the permanent pack ice, looking for and photographing the King of the Arctic. We can sail much further east and west with our extended time than all the other eight and nine-day expeditions. The extra time will give us many unique opportunities to encounter and photograph this incredible high-arctic predator. If you are keen to photograph the King of the Arctic, please drop me an email to express your interest. First come, first served.