Arctic Fox Cubs of Hornstrandir Nature Reserve Workshop Report July 2025

There are places in the world where time seems to be all but irrelevant—where silence has weight, and where life exists on the knife’s edge of wilderness. The Hornstrandir Nature Reserve, perched at the extreme northwestern edge of Iceland, is one such place. It’s here, amid weathered fjords and wind-bent tundra, that the elusive Arctic fox raises its young—unhunted, unharried, and at peace in one of the last true wilderness sanctuaries of the North.

From July 1st to 7th, 2025, I had the privilege of leading a small group of photographers deep into this forgotten corner of the world for a summer workshop focused on Arctic fox cubs. What unfolded over those seven days was extraordinary: four healthy, playful cubs, fresh out of their den, exploring the world for the very first time. We had timed our arrival perfectly.

Our journey began in Ísafjörður, a sleepy town surrounded by steep fjords that comes alive in the summer months. From there, we boarded a privately chartered boat, cutting across the still ocean waters to Hornstrandir—a region completely uninhabited, unreachable by road, and where nature reigns supreme.

Upon landing on the shoreline, we were met with calm winds, mild temperatures, and the telltale silence that defines this place. The weather, often a wildcard in the Icelandic summer, held beautifully in our favour—a perfect mix of overcast skies for soft light and clear days for contrast and depth.

We walked in with our gear, a short but deliberate walk through tundra meadows and coastal cliffs until we reached our remote cabin—our “home away from home” for the week. Modest, but wonderfully cozy, the cabin offered reliable power, heat, and a warm shower, giving us a comfortable base from which to photograph and recharge both batteries and bodies.

The Arctic foxes in Hornstrandir are protected under Icelandic law and unaccustomed to human threat. This gives us a unique window into their lives—a rare chance to observe them with minimal disturbance. We knew from previous years where a known female fox maintained her territory, and it was near this location that we carefully established our viewing distances, always respectful, always still. And then, like a miracle borne of silence: four cubs.

Emerging from the mossy lip of their den, blinking in the soft summer light, they appeared with hesitant steps and twitching ears. They were healthy, inquisitive, and full of energy, bounding across the lichen-covered rocks, chasing each other through patches of Arctic thyme, and occasionally collapsing in an exhausted heap under the watchful gaze of their mother.

The timing could not have been better. They had just begun venturing out from the den—still clumsy and unsure, but filled with curiosity. For a wildlife photographer, this is the golden moment: when behaviour is at its most revealing, when innocence radiates through every movement, and when images tell stories as ancient as nature itself.

What makes photographing foxes in Hornstrandir so special isn’t just the opportunity to see them—but the privilege to be so close to them. These animals, free from hunting pressure, exhibit a calm curiosity rather than fear. They observe, approach, and sometimes come so near you can hear the soft pad of their feet over the tundra.

Each day we returned to the den, observing routines and behaviours. The mother—sleek, somewhat shy, and blue-morph—would occasionally trot off on short hunting forays, returning with fish scraps or shellfish to feed her litter. The father appeared more often, showing no fear and regularly approaching for an inquisitive look at our cameras.

Photographically, we were gifted beyond measure. Overcast days gave us beautiful softbox light, perfect for portraits and detail-rich imagery. On clearer days, the drama of shadow and contrast lent itself to more stylized compositions. Whether it was cubs backlit in the golden light of an endless Arctic evening, or nestled in the moss under moody skies, every session offered something new.

The joy of these moments wasn’t just in the photography—but in the quiet communion with the land and its wild inhabitants. No roads, no cars, no noise. Just wind, sea, and the faintest rustle of foxes through grass. Arctic summer light is both gift and challenge. With nearly 24 hours of daylight, we were afforded unparalleled flexibility in our shooting schedule. We often chose to photograph in the “shoulder hours”—early mornings and late evenings when the light was most flattering and the cubs most active. Remarkably, the weather held throughout the trip. Overcast periods were long enough to allow deep exploration without ever feeling rushed. For a workshop in a location as volatile as the Hornstrandir coast, this was a blessing not to be understated.

One early morning brought backlit opportunities near to the den. The effect was sublime—foxes outlines luminous against the dark backdrop. We whispered to each other that it felt like being inside a dream, and the resulting images remain among the most evocative of the trip.

Our remote base was everything a field workshop should be: rugged, warm, and welcoming. After long hours on the tundra, we would return to hot meals, shared stories, and laughter around the table. We reviewed our images, shared techniques, discussed post-processing ideas, and most importantly, connected as a group of like-minded creatives driven by a shared love of wild places.

There is something profound about being unplugged from the world, present only in the moment and the landscape. No internet. No distractions. Just photography, nature, and the camaraderie that grows from shared experience.

While the fox cubs were our primary focus, Hornstrandir never fails to deliver more to the attentive eye. Ptarmigans, still in mottled plumage, clucked their way through the underbrush. Seabirds wheeled overhead—kittiwakes, Arctic terns, and the ever-charismatic black guillemots. Occasionally Harlequin ducks could be found and photographed at the river mouth.

One evening, as the sun dipped low across the fjord, a group of common seals surfaced near the shoreline, curious about our presence. And once, in the quiet hour just after midnight, I watched a white-tailed Eagle glide silently along the ridge—not common, but not impossible here.

Yet, no sighting ever pulled our hearts away from those cubs. Every time we returned to the den, it felt like a reunion. The trust they showed us grew stronger each day, and by the end of the week, we felt like we were witnessing the emergence of a new generation—one that had accepted our quiet presence as part of their world.

On our last morning, the light broke crystal-clear over the fjord. We made our way back to the den one final time. The cubs were more adventurous now, ranging further, playing harder, their confidence growing with every hour. We spent our final moments watching them tumble and yip, playing in the morning light. I watched through the viewfinder, but also over the top of the camera, wanting to etch this memory into my mind as much as onto my memory card.

Then, slowly, we packed our gear, said our goodbyes to the family we had quietly shared space with for a week, and began the walk back to the coast. Our private boat met us in the calm waters, and as we pulled away from Hornstrandir, the reserve faded into mist and memory.

This workshop was, without doubt, one of the most intimate, joyful, and meaningful I’ve ever had the privilege to lead. To witness and photograph Arctic fox cubs just as they emerge into the world is to be part of something deeply elemental—life at its beginning, in one of the world’s last great refuges. For all of us on the trip, the experience will echo long after the images are printed and the gear cleaned. It was more than photography. It was connection—to nature, to the wild, and to each other.

For those who feel the pull of the wild, who seek authenticity, silence, and the raw beauty of life on the edge—Hornstrandir awaits. Please get in touch with us to express your interest in a future workshop to this wonderfully wild and remote location.

Puffins and Razorbills of Grimsey Island Workshop Reports May June 2025

Puffins, Solitude, and the Soul of the Arctic – There are few places left in the world where you can photograph wildlife in complete solitude—where the only sound is the rush of wind across dramatic basalt cliffs, the echoing cackle of seabirds, and the soft high-speed click of your mirrorless cameras electronic shutter. Grimsey Island, perched on the Arctic Circle just off the north coast of Iceland, is one of those places. It is wild, raw, and unforgiving—but in its ruggedness lies extraordinary beauty and a rare opportunity for intimate encounters with wildlife. Grimsey is the hidden gem of Iceland, packing a photographic punch well above its size and weight.

This May and June, I had the great privilege of leading two back-to-back photography expeditions to Grimsey Island focused primarily on the charismatic Atlantic Puffin, but with ample opportunities to photograph a host of other seabirds and Arctic landscapes. The trips—May 27th to June 2nd and June 3rd to June 8th—delivered not only exceptional bird photography but also some of the most dramatic weather and moody light I’ve encountered in recent years.

Grimsey isn’t easy to reach, and that’s a good thing. Its remoteness keeps it pristine and blissfully free from crowds. To get there, we journeyed north to the Icelandic town of Dalvík, where we boarded the ferry for the three-hour crossing. The first group arrived smoothly, with calm seas and mild winds—a gentle welcome to the north. But the second trip was greeted by nature’s fury: high winds exceeding 30 metres per second and ocean swells over five meters delayed our departure by a full day. While the delay wasn’t ideal, it provided an impromptu opportunity to explore some Lightroom processing and discuss the optimal camera settings for the upcoming photography.  The one-day delay also served as a reminder that in the Arctic, nature always has the final say.

Once we landed on Grimsey, however, everything fell into place. Our home for the week was a humble guesthouse near the island’s southern cliffs—a perfect base from which to venture out for both early morning and late evening sessions. Grimsey is a relatively small island with only a few basic roads. Nevertheless, a car (4WD) is of significant benefit for moving around quickly and accessing the more remote and higher sea cliffs. At both of these workshops, we took a 4WD with us on the car ferry so we could maximise our photography on the island. Other groups don’t necessarily offer car transport on the island, but this can be a significant error of judgment in inclement weather. Over the course of our trip, we watched several groups uncomfortably trudging uphill through the rain with their camera gear, headed for the high cliffs. Meanwhile, we travelled comfortably to the top by 4WD with all our gear, arriving dry and ready to photograph.

The stars of the show were, of course, the Atlantic Puffins. These endearing seabirds return to Grimsey in the thousands each spring to nest high on the cliffs that ring the island’s perimeter. Unlike other sites in Iceland where the birds are often skittish or the cliffs too distant for intimate photography, Grimsey offers something truly special: proximity. Not only does it provide an incredible opportunity to get close to these fantastic birds, but it also offers the chance to photograph these birds in a stunning Arctic setting.

Each day, we were able to approach puffins within mere meters, lying flat on the soft grass as they hung out on the high cliffs or returned to their burrows. With patience and respect for their space, they allowed us into their world. We photographed them in dramatic light, and during moody, misty afternoons that added emotional depth to the frames.

What makes Grimsey exceptional is not just the access, but the solitude. Unlike well-trodden sites on the mainland, we had entire stretches of cliff to ourselves. No tourists and no other visitors. No other groups. Just us, the birds, and the Arctic wind. It’s a kind of photographic meditation—one that allows you to connect deeply with the landscape and your subject.

While puffins were the headline act, they were far from the only performers. Grimsey is a seabird sanctuary, alive with an astonishing diversity of species. Razorbills nested alongside puffins, their bold monochrome plumage striking against the green moss and black cliffs. Black-legged Kittiwakes shrieked and soared on coastal updrafts, offering opportunities for stunning in-flight images as they banked and hovered in the wind. Mixed amongst them were northern Fulmars and common murres.

We watched and photographed Common Murres and Guillemots packed shoulder-to-shoulder on the narrow cliff ledges, each pair tending to a single egg balanced precariously on bare rock. Northern Fulmars glided effortlessly past our lenses on fixed wings, while Arctic Terns dive-bombed intruders with typical ferocity.

We were fortunate to encounter several rarer species as well, including Black Guillemots, the delicate Red-necked Phalarope in its breeding plumage, and even the elusive Little Auk. Each day brought new sightings—Snipe performing aerial displays, Golden Plovers calling from lichen-covered rocks and buttercup-covered fields, Snow Buntings flitting along the coastal paths.

Throughout the two trips, we documented and photographed an impressive list of 30 species. I did not personally photograph every single species, but very much enjoyed keeping a list of those species we encountered.

  • Atlantic Puffin
  • Razorbill
  • Black-legged Kittiwake
  • Common Murre
  • Brünnich’s Guillemot
  • Black Guillemot
  • Northern Fulmar
  • Arctic Tern
  • Red-necked Phalarope
  • Snipe
  • Golden Plover
  • Snow Bunting
  • Redwing Thrush
  • Raven
  • Common Eider
  • Long-tailed Duck
  • Black-headed Gull
  • Gannet
  • Black-tailed Godwit
  • Common Ringed Plover
  • Ruddy Turnstone
  • Eurasian Oystercatcher
  • Sanderling
  • Common Redshank
  • Arctic Skua
  • Dunlin
  • Mallard
  • White Wagtail
  • Meadow Pipit
  • Canada Goose

Each species presented its own photographic challenges and rewards, from fast flight patterns to elusive behaviour. But the overarching theme was access—Grimsey offers unparalleled proximity to birds in their natural environment, free from the pressure and disruption of human traffic.

The Arctic teaches patience and rewards those who are flexible. Throughout our time on Grimsey, we encountered an extraordinary range of weather conditions: wind, sun, sea fog, and sudden downpours. But far from being an obstacle, the changing weather only enhanced our photography. I have long mandated that dramatic weather makes dramatic photographs, and Grimsey delivered in spades for both our workshops.

One particularly memorable morning, fog and mist rolled in off the ocean, blanketing the cliffs in a pale, blue-grey hue. Visibility dropped, but the mood became magical. Puffins stood like statues in the mist, their colourful beaks luminous against the muted backdrop. That afternoon, the fog burned off to reveal crisp skies and overcast light, and we returned to the same spot to photograph puffins against the ocean.

Another evening brought towering clouds that swept across the island like theatre curtains, letting shafts of light fall onto the sea. With long lenses and careful compositions, we captured seabirds soaring through these natural spotlights—a breathtaking juxtaposition of nature’s grandeur and raw simplicity.

Grimsey isn’t just about birds. The island itself is staggeringly beautiful. A windswept plateau broken by basalt cliffs and rolling meadows, it feels like a place lost in time. We explored beyond the nesting colonies to photograph the broader landscape: coastal rock formations, dramatic sky-scapes, and wild, empty vistas that echo the purity of the far north.

At times, the play between scale and subject became a powerful compositional element. A lone puffin perched on the edge of a massive sea stack. A pair of Black-legged kittiwakes on their nest. A group of murres slicing through shafts of light over a cobalt sea. Grimsey gives photographers room to breathe—to pull back and frame the subject in its environment with honesty and reverence.

Perhaps what made both trips so special was not just the wildlife or the location, but the people. Our small, tight-knit groups quickly bonded over shared meals, gear chats, photo reviews, and the inevitable jokes that come after long days in the field. We worked as a team—scouting, spotting, sharing tips and excitement. When one of us found a nesting site or a particularly photogenic perch, the news spread quickly and everyone benefited. There was no competition, just a shared passion and respect for nature and photography. Evenings were spent reviewing images, charging batteries, and discussing light, behaviour, and composition. More than a few nights ended well after midnight, reluctant to put our cameras down even as fatigue set in.

Personally, I shot over 22,000 images during the two workshops on Grimsey Island (not hard when your R1 camera goes at 40 FPS with birds in flight!). After an initial first pass, I was able to delete around 13,000 images, leaving approximately 9,000 keepers (sharp photographs with interesting compositions that are worth a second look). That is an extraordinary number of photographs to sort, edit, process, and catalogue, and the photographs in this report represent just a very small fraction of those I chose to keep and have processed to date. It will likely be many years before I finish mining photographs from these two workshops. This makes Grimsey Island one of the most productive locations in the Arctic to photograph Arctic birds.

Grimsey Island is not a destination to add to your bucket list. It’s something more profound: a place to slow down, to reconnect with the rhythm of nature, and to immerse yourself in the art of observation. It’s a place where puffins aren’t props for selfies but sentinels of a wild world that still exists if you’re willing to seek it. Both of these trips reminded me why I fell in love with wildlife photography in the first place. It’s not about the number of images or the reach of your lens—it’s about presence. About being there. About watching a puffin return to its burrow against the wind, or witnessing the sudden flash of an Arctic Skua as it harasses a tern mid-flight.

If you’re looking for an experience that combines intimate wildlife encounters, cinematic landscapes, and genuine solitude, Grimsey offers something truly rare. I’ll be back—and I hope to see you there, lying flat on a clifftop, your lens trained on a puffin with the wind in your face and the Arctic sun at your back. Details for our June 2026 trip are now online, and places are limited. Please contact me for details – Until next time, stay wild.

Zululand South Africa Wildlife Masterclass Workshop Report 2025

In April 2025, I had the privilege of leading an extraordinary group of photographers on my Zimanga Africa Ground-Level Wildlife Masterclass — a full reserve takeover that provided unparalleled access to one of the most diverse and wildlife-rich regions in South Africa. I’ve long said that Zimanga is one of the most progressive photographic destinations on the continent, and this year’s workshop only reaffirmed that sentiment. With no outside tourists, no sharing with others, unrestricted access to world-class photographic hides, a dedicated team of trackers and guides, and a truly immersive experience in African wildlife photography, 2025’s edition was nothing short of a creative and wildlife-rich success.

There is something profoundly moving about photographing elephants at night. The darkness, punctuated only by subtle, carefully positioned lights, transforms a majestic subject into something even more powerful and ethereal. One of the absolute highlights of this year’s trip — and a resounding favourite among the group — was the overnight experience in the elephant bunker hide. Designed specifically for photographers, this low-angle, comfortable hide allowed us to witness enormous elephant bulls as they came to drink, bathe, and interact under the cover of darkness. Being this close to a fully grown massive Tusker is an awe-inspiring experience not to be missed.

The conditions this year were sublime. With mild evenings and clear skies, although it took some persistence, the waterhole was a consistent magnet for elephants. On one particularly unforgettable night, three bulls approached simultaneously, their massive forms silhouetted against the soft glow of artificial light, mist swirling from their trunks as they drank and sprayed water into the cool night air. The photographic results were staggering — dramatic lighting, perfect reflections, and razor-sharp detail made for world-class imagery. Every single participant came away with portfolio-worthy shots that captured the spirit and strength of these incredible creatures in a truly unique way.

While hides and low-level photo vehicles offer powerful opportunities, few moments compare to the sheer intimacy of walking with a wild predator. Zimanga is one of the only places in Africa where you can photograph free-ranging cheetahs on foot — and this year’s experience elevated that to another level. With the guidance of Zimanga’s experienced trackers and guides, our group approached a pair of cheetah brothers on foot in the open savanna. This pulse-quickening encounter brought a profound sense of connection to the natural world.

Photographically, walking with cheetahs is a dream. We could shoot from low angles, position ourselves with the light, and create immersive, personal, and alive images. The early morning light was golden and soft, with gentle dew clinging to the grass. The cheetahs moved with grace and elegance, pausing occasionally to look directly into our lenses, allowing everyone to create images filled with mood and eye contact. It was, without question, a highlight of the trip and an experience no one will soon forget.

In addition to the hides and on-foot cheetah experience, the photo game drives this year were exceptional. One of the distinct advantages of a full reserve takeover is the exclusivity — we were not restricted by schedules or other tourists. Each photographer had their own row of seats in custom-built vehicles explicitly designed for low-angle wildlife photography. This made a massive difference, allowing everyone the freedom to move, shift, and compose without obstruction. You haven’t photographed in Africa on safari until you have experienced one of these low-angle vehicles.

Weather conditions were ideal — cool mornings with mist clinging to the valley floors, building into warm, dry days with rich, directional light. This meant optimal shooting conditions nearly every session. We photographed everything from rhinos dust bathing at sunrise to giraffes silhouetted at sunset, to close encounters with lions resting in the shade of acacia trees. The ability to work low to the ground from the vehicle provided a completely different perspective, yielding more dramatic and intimate imagery than traditional safari setups allow.

Zimanga isn’t just about the big mammals. The bird photography opportunities this year were phenomenal. The lagoon hide, in particular, was a bird photographer’s paradise. The clean, uncluttered backgrounds and shallow water provided the perfect stage for capturing elegant images of African spoonbills, pied and malachite kingfishers, hamerkops, storks and more.

Our group spent several serene sessions in this hide, working with long lenses to freeze the dramatic dives of kingfishers and the deliberate wading of spoonbills as they hunted. The morning light filtered in just right, casting subtle highlights and rich colours that made for exquisite avian portraits and action shots. The hide design, with glass-fronted opening, allowed for complete immersion without disturbing the wildlife — a critical feature for this kind of delicate work.

The scavenger hide delivered intense action and raw storytelling. Designed with photographers in mind, this hide is positioned over a natural carcass area frequented by vultures, jackals, and other opportunists. Over multiple sessions, we witnessed dramatic interactions as white-backed vultures jostled for position, jackals darted in for scraps, and marabou storks loomed over the chaos like prehistoric sentinels. On one particular morning we also had a visit from a majestic tawny eagle.

For those looking to create compelling behavioural imagery, these scenes were gold. Wings spread wide, dust flying, claws extended — every moment was charged with intensity. The hide’s positioning allowed us to shoot at eye-level, capturing the energy and aggression of these feasts in full cinematic detail. It was a reminder that even the less ‘glamorous’ wildlife encounters can result in some of the most potent images.

A trip of this calibre wouldn’t be complete without comfort and care. The accommodation at Zimanga is nothing short of luxurious — private, spacious rooms with views over the reserve, luxurious bedding, and all the modern amenities you could wish for. After long days in the field, returning to gourmet meals, fine South African wines, and a roaring fire created the perfect atmosphere for review, reflection, and camaraderie.

This level of comfort matters not only for rest and recovery but also for allowing participants to focus entirely on their photography. The Zimanga team handled every logistical detail flawlessly, from meal timing to equipment storage to hide scheduling. The exclusivity of having the entire reserve to ourselves meant no waiting, no distractions, and complete immersion—something that simply can’t be overstated.

Reflecting on the 2025 Masterclass, I’m already filled with anticipation for our return in 2027. Zimanga remains one of the only game reserves in Africa built from the ground up with photographers in mind, and our complete takeover ensures a bespoke experience designed to maximize photographic potential. This isn’t a workshop where you are forced to share a location with general tourists. This is a deep and private immersion that provides the opportunity to create an emotive portfolio of African images.

In 2027, we will once again take over the entire reserve. That means no sharing with tourists, no rigid safari schedules, and complete access to all hides and photo vehicles. Why is this so important? Simply put, by taking over the entire camp, we can offer multiple overnight and day hide sessions to everyone. This provides many opportunities that would otherwise be missed.

The itinerary will include overnight elephant hide sessions, walking with cheetahs, private photo vehicle access, avian hide time, and exclusive opportunities in the scavenger hide — all under ideal seasonal conditions. We’ll be visiting at the optimal time of year, when weather patterns bring soft light, mild temperatures, and increased wildlife activity. This time of the year, the rains have finished, and this also provides additional opportunities at the watering holes.

If you’re looking to elevate your portfolio, challenge your creativity, and experience Africa in a way few others ever do, Zimanga 2027 is the opportunity. With limited spaces available and the 2025 edition having sold out well in advance, I highly encourage interested photographers to reach out early. Please contact us to secure your place. Full details are available on our website at www.jholko.com/workshops This trip is not just a workshop — it is an immersion into the best Africa has to offer, with a focus on excellence, comfort, and the creation of truly world-class wildlife imagery. See you in 2027.

Wildlife Photography and Wildlife Respect

I wanted to share a photograph that shows how a Polar Bear (or any wildlife for that matter) can be not only be safely photographed (this image shot before the new restrictions in Svalbard – more than a year ago), but also treated with the highest degree of respect and not interfered with, harassed or stressed in the slightest. We observed this magnificent bear, walking slowly across some fast ice near a glacier at a distance of more than three kilometres. We parked our small expedition ship (12 passengers aboard – all photographers) at the edge of the fast ice, shut off the engine and watched and observed through our binoculars for more than two hours – enjoying the moment with respect, awe and hopeful anticipation. Slowly, the bear approached of its own volition and curiosity, without need for us to do anything other than remain calm, quiet and patient. All on board remained quiet, observant and patient. Cameras at the ready, we began to photograph the bear from the safety of our ship as it walked slowly along the fast ice, still at distance from the boat. Of course, it noticed us, as it sniffed the air in passing in curiosity. But, it was never interfered with. It was never stressed and it was never chased. It was treated with the highest degree of respect it deserves. The Polar Bear is the king of the Arctic. It deserves nothing less than the highest degree of respect at all times. When the bear was ready, it continued its journey along the edge of the fast ice, disappearing into the distance. It was never chased or followed and there was never stress caused. There was never a question of danger from the safety of the expedition ship. When the bear had gone, we started our engine and continued our journey. This is how you photograph wildlife with respect. Perhaps scientists who chase bears with helicopters could learn a thing or two from wildlife photographers about how to approach and photograph wildlife with respect and patience. Even in this ‘cropped’ photograph, taken with a 600mm lens and a 1.4 TC (effective focal length 840mm) the bear was never closer than a couple of hundred metres. Wildlife photography of Polar Bears doesn’t need a wide angle lens to be powerful, emotive and dramatic. What is required is an understanding and respect for the wildlife. Wildlife FIRST. Photography second. This is not a comparison between Science and Tourism. That is not the intent. This is a comparison between methodologies. How Polar Bears can be engaged with, with respect, or as in the case of the recent helicopter incident by researchers, without respect that unduly stresses the animal. For the record, I am not against the Science of Polar Bears. I am against invasive, stressful methods for Polar Bear sedation and research such as chasing bears from helicopter.

Edit: Update: 24th April 2025 8.35pm AEST – Svalbard Posten has posted an article about the incident HERE. NRK Media in Norway has also posted a front page Article HERE.

Arctic Fox in Icelands Winter Wilderness Workshop Report 2025

In early February 2025, I led two back-to-back Arctic fox photography workshops in the remote and rugged Hornstrandir Nature Reserve in northwestern Iceland for two seperate groups of photographers. Hornstrandir is a true wilderness, offering some of the best opportunities anywhere in the Arctic to observe and photograph Arctic foxes in their natural habitat. Unlike much of Iceland, where foxes are still hunted, the nature reserve provides them with full protection. As a result, they are more approachable here than in other parts of the country, making it an exceptional destination for wildlife photography. Accessible in the winter, and only by boat, the Hornstrandir Nature Reserve also offers a wonderful getaway for photographers looking to get back to Nature and spend quality time with their subjects.

This year’s workshops presented a mix of conditions that kept us constantly adapting. We arrived to find a good covering of snow, which is always ideal for clean, wintery backdrops. However, strong southerly winds soon brought in sporadic rain, initiating a rapid thaw. Iceland’s freeze-thaw cycle is highly dynamic, and even in the depths of winter, conditions can change within hours. While this can be frustrating, it also presents opportunities—by working with the available weather and terrain, we were able to capture a diverse portfolio of Arctic fox images in just a short span of time.

Over the course of the two workshops, we encountered a total of six different Arctic foxes, each with its own distinct personality and behaviour. The majority of them (five out of six) were blue morphs, which are much more common in coastal regions like Hornstrandir. Blue morph Arctic foxes retain a dark brown coat throughout winter, unlike their white morph counterparts that shift from brownish-grey in summer to pure white in winter. The contrast of the dark blue morph foxes against the snow-covered and rocky landscape provided excellent photographic opportunities. The sixth fox, a striking white morph, was a particular highlight—seeing a white fox in winter is always a special moment, as they blend seamlessly with their snowy surroundings. The opportunities for white-on-white minimalist photography are at their very best in winter with the White morph.

Among the foxes we observed was a dominant male, clearly in control of his territory. He was confident, bold, and regularly patrolled his area, occasionally chasing off younger or less dominant foxes. We also photographed several other males, females, and first-year cubs. The cubs, still relatively inexperienced, displayed playful and curious behaviour, which made for some fantastic interactions and storytelling images.

One of the most rewarding aspects of these workshops was the ability to spend extended time with individual foxes, allowing us to observe and document their behaviours in depth. Patience was key—by positioning ourselves carefully and waiting quietly, we were often rewarded with intimate moments of foxes resting, hunting, and interacting with each other.

Winter photography in Hornstrandir presents a unique set of challenges and rewards. The ever-changing conditions meant that we had to constantly adjust our approach. Some days were dominated by heavy cloud cover, creating soft, diffused light that was perfect for close-up portraits and details as well as wide vistas. Other times, brief windows of clear skies allowed us to work with directional light, emphasizing the texture of the foxes’ fur and the rugged landscape. We also took the opportunity to photograph some of the bird life in this area.

One particularly memorable session took place in the late afternoon as the low winter sun briefly broke through the clouds, casting a golden glow over the landscape. A blue morph Arctic fox paused on a rocky outcrop, bathed in the last light of the day, allowing us to capture a stunning series of backlit portraits. Moments like this are what make winter wildlife photography so rewarding—being in the right place at the right time, ready to seize an opportunity when the elements align.

The thawing snow added another dynamic element to the imagery. As the white landscape receded, patches of dark volcanic rock and golden-brown tundra began to emerge, creating a striking contrast with the foxes. This gave us a more varied and unique portfolio than a uniform blanket of snow might have allowed. Some images showcased the foxes navigating a pristine winter landscape, while others depicted them against a more transitional, raw, and textured background.

After the conclusion of the workshops, I traveled to a new, previously unexplored location in northwestern Iceland to scout for future Arctic fox photography opportunities. This region offers not only a dramatic coastal setting but also supports both blue morph and white morph Arctic foxes, making it a particularly exciting prospect for future trips.

The scouting trip was highly productive—I was able to locate multiple foxes and observe their behaviour in this environment. The landscape features towering cliffs, black sand beaches, and rugged fjords. The combination of these elements provides a striking backdrop for wildlife photography, adding another layer of visual interest to Arctic fox images.

I also took the time to assess the logistics of operating a workshop in this new location. Accessibility, accommodation options, and weather patterns all play a crucial role in determining the viability of a new workshop destination. From what I experienced, this area has tremendous potential, and I’m excited to return for more in-depth exploration.

Following the success of this year’s workshops, we will be returning to Iceland in February 2026 for another round of back-to-back Arctic fox photography expeditions. Hornstrandir remains one of the best locations in the Arctic for reliably finding and photographing these elusive animals, and with the addition of a new location in northwestern Iceland, we will have even more opportunities to create exceptional imagery.

Each workshop is limited to a maximum of five photographers, ensuring a highly personalized experience with ample one-on-one guidance. Whether you’re interested in capturing intimate portraits, dynamic action shots, or environmental compositions that showcase the foxes within their rugged habitat, these workshops are designed to maximize photographic opportunities in one of the most breathtaking winter landscapes on Earth.

If you’re interested in joining us for this incredible experience, feel free to reach out to register your interest. With small group sizes, spaces fill quickly, and this remains one of the most sought-after wildlife photography experiences in Iceland.

Photographing Arctic foxes in winter is both a challenge and a privilege. These animals are perfectly adapted to one of the harshest environments on the planet, and spending time with them in their natural habitat is an unforgettable experience. The combination of dramatic landscapes, rapidly changing weather, and the intimate encounters we had with the foxes made this year’s workshops a tremendous success. As always, adapting to the conditions was key. Iceland’s winter is unpredictable, and working with what nature provides—rather than against it—ensures the best photographic results. The freeze-thaw cycle, while sometimes frustrating, ultimately allowed us to create a diverse and compelling portfolio in just a short period.

With the addition of a new location for future expeditions, I’m looking forward to expanding the possibilities for Arctic fox photography in Iceland. These workshops remain a highlight of the year, and I can’t wait to return in February 2026 to once again immerse myself in this incredible environment. If Arctic fox photography in the wild is something you’ve dreamed of, now is the time to start planning. I hope to see you in Iceland next winter for another unforgettable experience!