Guest Photographer: Jose Antonio Rosas The Emperors Expedition 2016

A few years ago I started a new segment on my blog for photographers with whom I have travelled before in order to provide an outlet for them to share some of their own writing and photography amongst a wider audience. It has been a while since the last post but I wanted to share some thoughts and photographs from Jose Antonio Rosas who recently accompanied me on my Emperor Penguin Expedition last November. I have had the pleasure of travelling and photographing with Jose now in Antarctica on two occasions and I just wanted to pass on my thanks to him for both his participation and for sharing some of his thoughts and photographs from this expedition here on my blog. All text and photographs by Jose Antonio Rosas.

The Emperors Expedition 2016 – Jose Antonio Rosas

Last November, I joined a group of four photographers on an expedition to an emperor penguin colony in Antarctica. These penguins are among the most fascinating animal species in existence. They have been the subjects of such successful movies as March of the Penguins and Happy, in which they drew the world´s attention because of the extreme conditions in which they live and their complex mating habits.

Like other penguin species, emperors spend their summer months next to the sea, fishing in the rich, cold waters of Antarctica. Starting in March, their behavior becomes different than that of other penguins: males and females leave the sea and walk between 70 and 100 kilometers over the ice until reaching the colony in which they were born. There, they will start their annual reproduction cycle.jar-emperors-30These colonies are located in extremely cold and windy places, with no sources of food. However, since they are far from the sea, the risk of predators for chicks is reduced. Once they reach the colony, males and females start the pairing process: they will sing a special cry that will lead them to the penguin who will be their mate for the next year. Two months later, each female lays and egg and transfers it very carefully to her mate. The females have consumed too much energy and must now start the long walk back to the sea to feed. Meanwhile, the males will incubate the eggs, protecting them against the harshest winter conditions: temperatures of -70 Celsius, and winds of more than 150 km/h.
jar-emperors-21Chicks are born between late August and early September, still under their fathers care. A few days later, mothers come back, bringing valuable food for their young. It is now their turn to take care of the chicks, while the males walk to the sea to regain the weight they lost. During the following three months, males and females will take turns caring for the chicks and walking to the sea to bring back food.

It is very difficult to visit emperor penguins in the wild. The areas in the sea where they spend the summers are surrounded by ice and inaccessible to most ships that visit Antarctica. Their colonies are far from the sea and can only be reached by flying in specially adapted planes. jar-emperors-23The point of departure for our expedition was Punta Arenas, a city located in the extreme south of Chile. There, we waited for six days until the wind in Antarctica was adequate to fly. We reached our base camp in a Russian Ilyushin jet originally designed to fly to Siberia. After a four-and-a-half-hour flight, we landed on an ice runway in an area known as Union Glacier, which is nearly 80 degrees south.There, we utilised a large camp that is used as the starting point for different types of expeditions in Antarctica: skiers trying to reach the South Pole, climbers after the conquest of the tallest mountain in the continent, runners ready for the most extreme marathon of their lives. Also, those of us who wish to live up close with the largest and most fascinating penguin species: the emperors. The logistics required to operate this camp are astounding.
jar-emperors-25
At Union Glacier, we waited for two days before flying to our final destination: Gould Bay, a large expanse of frozen sea ice in the Weddell Sea. We flew in a Twin Otter plane conditioned with skis. There, a small camp was waiting for us. This camp had high mountaineering tents and special condition sleeping bags. All of this was essential, because during the three days we spent there, the wind was never lower than 25 knots (45 km/h).
jar-emperors-26
Living conditions are not the most comfortable, and the wind and cold are very harsh, but all of it is justified by the purity of the air, the absence of artificial sounds and the direct contact with nature.
jar-emperors-27
At that time of the year, the sun never sets in Antarctica, allowing us to choose the best time to walk to the colony and photograph the penguins: after dinner, at around 8pm, when the low lying sun created excellent light conditions. The penguin colony was located 1.5 km away from our camp. The walk is not too long, but when the wind is blowing against you, every step feels like an accomplishment.

It is impossible to transmit in words one´s feelings at the first encounter with those 8,000 fascinating birds. When we arrived for our first visit, the evening light projected long shadows and the wind made the snow flakes fly, covering everything with a golden layer. I can think of no better introduction to this species.jar-emperors-28I spent a while sitting, enjoying the curiosity of the penguins, who were not timid about approaching us. Then came the moment to take out my camera and walk next to the colony to start making photographs. Soon, I saw the eight-week old chicks.  Some were sheltered inside their parents´ brood pouches; others were standing at the feet of the adults, asking for food with a special cry; others were discovering how to walk, taking tentative steps away from parental protection. Parents were always close to their chicks, ready to step in and protect them at the first sign of danger. It is fascinating to witness how the colony´s entire life flows around the protection and growth of chicks.
jar-emperors-29
Photography under those conditions is a big challenge: heavy gloves and goggles are essential at all times, but do not allow for operating the camera or looking through the viewfinder. I had to take them off to make a photograph, but could only do it for very short moments, because the weather seemed to guess when I was uncovered to throw snow in my face or freeze my hands. That first day, after four hours out in the cold, I could no longer feel my hands and decided to return.

During the next two days, we repeated our evening walks to the colony and received several visits of emperors in our camp. Ours cameras froze and became frozen bricks, the snow buried the entrance to our tents several times a day, and the visibility disappeared for long stretches. All of this was part of a unique experience, the best I have enjoyed in direct contact with nature.

Trips like this renew my appreciation of the need to keep spaces apart from all human activity, where our fellow species in the planet can live without threats. The worldwide population of emperor penguins has remained stable during the past few years, at 500,000 individuals. However, several studies have confirmed that the species might become endangered due the effects of climate change and overfishing in Antarctic waters. It would be a huge pity if that magnificent species becomes one more victim of our activity on earth.

More of Jose’s Photography can be found at www.joseantoniorosas.com

Wild Planet Photo Magazine Features Part Two – Snow Survivors

Wild Planet Photo Magazine has just published part two of the three part series of articles on my Arctic Wildlife photography. The series kicked off with Polar Bears (Bear Instincts) in the November 2016 edition. The new January 2017 edition features images from my Arctic Fox project. From the Wild Planet Photo Magazine website: We are showcasing a new feature series from the Global Arctic Photographer of the Year, Joshua Holko, who shares his fascinating experiences with Arctic species. The second instalment of our three-part Arctic Encounter series centres on a fascinating snow survivor that lives in some of the coldest places on Earth. Nature photographer Joshua Holko tells the tale behind these ethereal pictures of the Arctic Fox.

wildplanetfoxes

About Wild Planet Photo Magazine: Published every month, WPPM and their accompanying websites have over 256,000 unique visitors in more than 190 countries, making them truly international photography magazines for the digital age. Packed with refreshing content, exciting features and stunning imagery from around the world – all provided by innovative professionals and enthusiasts  who share one passion – that of landscape and wildlife photography. Wild Planet Photo Magazine is available via individual issue purchase or subscription.

Canon EOS 1DX MKII Auto Focus Setting Guidebook

The Canon EOS-1D X Mark II has been for me the best DSLR I have ever used, regardless of price, brand or model. I recently wrote that it was my gear pick of the year for 2016. Now, to help users get more from its advanced focusing system, Canon has produced a useful downloadable AF Setting Guidebook for smartphone and tablets. Canon has produced these sort of guides in the past and they are well worth reading if you want to better understand and fully take advantage of the auto focus systems.

From Canons website The 148-page guidebook explains in detail the technical elements of the AF system and highlights other key functionalities that photographers need to know and understand in order to get the very best from Canon’s pro-series flagship, such as Movie Servo AF, using Auto ISO and much more.

In the guidebook are detailed overviews and explanations of the new AF algorithm and AI Servo AF III+ along with a list of the AF Configuration Tool and Presets, with comprehensive explanations on how each Case Setting works and when to choose them.

The guidebook is divided into six parts, consisting of two chapters on the AF Configuration Tool (Presets and Parameters), as well as chapters on AF area selection modes, 61-point reticular AF cross-type points, release property settings and anti-flicker shooting plus utilising the AF and Movie Servo AF and other useful functions.

It’s a fascinating read for anyone wanting to get under the skin of their EOS-1D X Mark II and will appeal to professionals who want a handy guide which can be stored on phone or tablet. Included in the book is a lens guide which lists every major EF lens and the number and placement of cross-type points that can be used with them.

There are many useful shortcuts explained in the guide, such as using the M-Fn button to assign shooting functions and various other customisable options. As you read through the guide, it becomes very clear that this camera can be set up precisely as you need it.

Don’t just use it in the default mode from the box, get under the skin and make it work harder for you!

To download the new Canon EOS-1D X Mark II AF Setting Guidebook for smartphones and tablets just click on the image below.canon1dxfocusmanual

Happy New Year! January Photograph of the Month Polar Passion

2017 has arrived! (At least for those of us living in Australia). For those of you in America and Europe you still have a few more hours to go – but I i wanted to get in early and wish all of you a very safe, happy and prosperous 2017. I hope your year ahead is full of lots of photography, wonderful light and that you make some incredible photographs. 2017 is going to be a hectic year for me with a lot of travel and some exciting new destinations.  I am keen to make a start…

I am kicking off 2017 here on my blog with my photograph of the month for January. An image I made in the Arctic in August 0f 2015 of a large Polar Bear cub resting on an ice flow in Svalbard. We were fortunate to spot this Polar Bear and to be able to manoeuvre close in our small ship M.S Origo. M.S Origo is the same ship I have chartered for a dedicated Polar Bear photography trip in late July in 2017 (one place remaining before the expedition will be sold out). M.S Origo is widely regarded as the best ship in the Arctic for photographing Polar Bears due to its low decks and operable portholes a mere fifty centimetres above the waterline. This enables the photographer to get down to eye level with wild Polar Bears living and hunting on the pack ice. I made this particular photograph with the Canon EOS1DX and Canon’s 200-400 F4L IS with inbuilt 1.4 Teleconverter. This photograph was recently High Honoured by Natures Best Photography in the Polar Passion Category.polarpassion Svalbard-1928-Edit

2016 A Retrospective and 2017 Whats in Store?

As has become tradition on my blog, I like to do a “What’s in Store” post for the coming year as well as reflect back, and wrap up the year that was. In equipment or ‘gear’ terms 2016 saw the introduction of the much anticipated Canon EOS 1DX MKII camera and the Canon EOS 5D MK4. Two of the Canon EOS 1DX MKII cameras have a permanent home in my camera equipment and have been my weapon of choice since I picked them up earlier in the year (there is actually a fair chance I will add a third for my new Nauticam underwater housing). I haven’t bothered with the 5D MK4 (although I do own a 5DSR); quite honestly, the Canon EOS 1DX MKII is the best DSLR camera I have ever used regardless of price, brand or model. Although I prefer the Canon EOS 1DX MKII camera for the majority of my photography, there is no denying the huge resolution advantage of the 5DS/R when making giant prints. Outside of sheer resolution though I prefer the ergonomics of the 1-series 1DX MKII and overall I prefer the files from this camera as well.

Despite my initial misgivings that the 11-24mm might be too specialised and too wide for most applications it has proved a superb optic and a regular tool I have utilised throughout the 2016 year. Back in 2015 I ditched gimbal heads for long lens work and moved to a Sachtler FSB-6 Fluid head. Last year I wrote that this move represented what was probably the best equipment investment I made in 2015 in terms of improving my photography and ratio of keepers. Now, more than a year on I can say with complete certainty that I would not go back to a gimbal head.

My best investment for 2016 quite honestly has to be the Canon EOS 1DX MKII. I know some photographers felt this camera was only an incremental upgrade on the already superb Canon EOS 1DX; however, after shooting with both extensively I can assure you that the upgrade is overall very significant in my experience. I also recently invested in a Nauticam underwater housing for the Canon EOS 1DX MKII as well as a large glass dome port for the 11-24mm F4L lens. I am looking forward to using this new tool over the coming year. My sincere thanks to Peter at Scuba Pix for all his assistance in choosing and specifying the housing options.DSC_9367__19597.1462232108.1280.1280My gear pick of the year for 2016 is split this year between the outstanding Canon EOS 1DX MKII and the brand new BenQ 4K Sw320 32″ UHD monitor (look for the full review in coming weeks). This brand new (not yet released to the public) 4K display offers stellar performance and resolution at a price point previously unheard of for a monitor of this resolution. I expect this new wide gamut monitor to be a game changer for a great many photographers when it goes on sale early next year.

2017 should be a very interesting year in equipment terms. I expect to see several new L series lenses from Canon. As always, the jury is still out on what lenses Canon will actually deliver. We just have to wait and see as Canon don’t publish a road map and outside of certain specific models I have no more idea than anyone else. Rumours still persist of a new 600mm F4 DO lens (a patent has been filed by Canon and they have shown a prototype) and there has also been a patent lodged for a 400mm F2.8L IS Lens with inbuilt 1.4 and 1.7 Teleconverters (Canon please make this lens!). Such a lens would be quite specialised and very expensive, but would be a one stop solution for wildlife photographers who wanted a fast, no compromise all in one telephoto lens with an extraordinary focal range. A 400mm F2.8L IS Lens with 1.4 and 1.7 teleconverters would yield focal lengths of 400mm, 560mm and 680mm all in one fast telephoto lens. Quite honestly, if Canon decide to make this lens I would sell my 200-400mm F4L IS and 600mm F4L IS MKII lenses on the spot.

Last year I gave my book pick of the year to the very deserving Arctique by Vincent Munier (Read the Review). Arctique was an absolutely superb presentation that deserved a place in any photographic library. If you don’t yet own a copy you should pick one up immediately. This year I am giving the nod again to Vincent Munier for his new book Adelie. I have not as yet had time to review this book, but I have been enjoying it for the last few weeks and it is in my opinion one of the best books I have seen on Antarctica. I hope to review it over the coming months. See my previous comment about owning a copy.

2016 also marked the year I published my own first book, Melrakki. The culmination of three years of winter photography in the extreme north-west of Iceland, Melrakki is available now exclusively as a Limited Edition hard bound fine-art book. Limited to just 100 copies (only a few remaining), each edition is hand numbered and signed and includes an original 11″ x 09″ inch fine-art pigment on paper print. Copies can be ordered online HERE.CoverIn 2016 I was extremely honoured to be asked to join the Penguin World Project as a project photographer and to continue to work with Kerry and the Arctic Arts Project. Both of these groups are actively working toward significant conservation issues in both the Arctic and Antarctic (and the world’s oceans). It is my hope to tie in Penguin World with a future exhibition of Polar Photography here in Australia. I also hope to join the Arctic Arts team for a winter Greenland scouting trip next year (if time permits).

Over the course of this year I also published my own favourite twelve photographs here on my blog. Please be sure to check them out and let me know what you thought. I don’t usually have an overall favourite from a given year, although I definitely have a soft spot for the photographs I made recently at the Emperor Penguins at Gould Bay in Antarctica (Read the trip Report). Be sure to check out the full portfolio of images at my website www.jholko.comemperorsexpedition2016-20062-editIn competition terms, 2016 was a brilliant year for me with an overall win as the Global Arctic Photographer of the Year. In total I was fortunate to take out five medals across the different categories including Gold, Silver and the FLAP Special award in two categories as well as the overall Grand Prize of Global Arctic Photographer of the Year. As an added bonus, I was  also the first photographer outside of Norway to win this award. In 2017 I will be Special Guest Judge for the Global Arctic Photographer of the Year competition and as a result will not be entering the competition. This year I also had concurrent finalist positions in the  2016 Canon APPA Professional Science, Wildlife and Wild Places Photographer of the Year as well as finalist in the Epson 2016 Professional Science, Wildlife and Wild Places Photographer of the Year and Epson 2016 Professional Documentary Photographer of the Year. I was also a finalist in the 2016 Outdoor Photographer of the Year and 2016 Travel Photographer of the Year competitions as well being short listed in BBC Wildlife Photographer of the Year. Lastly, I was also highly honoured in Natures Best Photography 2016 Polar Passion Category for one of my Polar Bear photographs below. Overall, it was a great year and I am thrilled with the results. Svalbard-1928-Edit2016 was also the biggest year yet for me both with destinations visited and sheer number of international miles travelled. 2016 also marked my first visit to the Lofoten Islands in Norway; a location I am very much looking forward to returning to in 2018 (details to be released soon). I have no idea how many actual miles I covered in 2016 in total, how many aeroplanes I boarded, how many times I went through airport security or how many tens of hours I spent waiting around in airports for connecting flights, but it was an awful lot. 2017 is shaping up to be an equally hectic year and I am trying to work through as much office work as possible in the next two weeks before I board the next plane in mid January.

2016 kicked off in early February with a brand new expedition to the Weddell Sea in Antarctica (Read the Trip Report). The Weddell sea side of Antarctica is far less visited than the western side of the peninsula and offers a very different experience to the standard peninsula visit. Home to giant tabular icebergs and large colonies of Adelie penguins the Weddell Sea is usually inaccessible before February due to sea ice conditions. Quite honestly, February is not my favourite time of the year to visit Antarctica as there is far less snow and ice than earlier in the season. However, we had some superb conditions and magical light for iceberg photography during our time in the Weddell Sea as well as some really fabulous landings. We were also very fortunate to encounter some wonderful tabular icebergs.Antarctica-7509-EditAfter Antarctica I returned to the extreme northwest of Iceland and finished the work on my Arctic Fox Project. This personal project spanned three years of winter photography in Iceland and was published as the Limited Edition book Melrakki late in 2016. Next year I will again be returning to the northwest tip of Iceland in Winter, but this time to lead an expedition with a small group of photographers keen to experience and photograph the Arctic fox in its winter habitat. More on this below.CoverIn March Daniel Bergmann and I ran our annual Winter Iceland workshop ‘The Frozen North’ (Read the Trip Report) that included destinations in both the north and south of the Island. Iceland in winter is an incredible experience and this workshop provided us with wonderful opportunities in a snow covered landscape. During our winter trip we had a small window of opportunity for Aurora Borealis (northern lights) whilst we were at Jökulsarlon glacial lagoon and again in the north near Myvatn. Our opportunity at Jökulsarlon was somewhat anticlimactic due to heavy cloud cover that obscured the best display. Our chance was better in the north with a faint display during mostly clear skies. If you haven’t photographed the Aurora before it can be an incredibly exciting experience. The camera sees and captures a great deal more colour than the naked eye – so even a faint display can yield some very impressive results in camera. We also had an absolutely superb session in one of the ice caves. IcelandWinter-4124After Iceland I travelled to Lofoten to lead a brand new winter workshop to these spectacular islands (Read the Trip Report). If you are unfamiliar with Lofoten let me assure you that the landscape of these islands is really quite something to behold. Precipitous and ominous peaks that rise straight out of the ocean loom over small fishing villages that comprise of bright red houses lining the shorelines. With a dusting of fresh snow and arctic winter light the entire scene is akin to a fairy tail location and subsequently the photographic opportunities during our workshop were truly superb. On our last day we made the decision to mix things up and took a private charter boat out to photograph White-Tailed Sea Eagles fishing off the coastline. This proved a worthwhile gamble with a couple of hours of really wonderful eagle photography in occasional light snowfall. I am very much looking forward to returning to Lofoten in the winter of 2018 and hope to release details here on my blog and website soon.Lofoten-4779-Edit Lofoten-0426-EditAfter Lofoten I travelled to Namibia where I lead a Desert Fire Safari that included the ghost town of Kolmonskop, the giant dunes of Sossusvlei, salt pan of Dead Vlei and more. This overland Safari provided some wonderful  landscape and wildlife opportunities and I very much enjoyed returning to the Namib desert after a two year hiatus. I neglected to write up a trip report from this Safari but hope to do so over the coming weeks. I will be returning to Namibia again in 2018 and will soon announce details of that safari here on my blog.NamibiaAfter Namibia, I ran my annual two week New Zealand South Island workshop which saw us circumnavigate the South Island via private 4-wheel drives and that included significant helicopter time over the spectacular southern Alps as well as the Teanu region. We also visited Milford Sound, Queenstown, Fox Glacier, Mount Cook and a great many other off the beaten track locations during the workshop. This year I also included an optional extension to the northern coastline region of the South Island which proved very fruitful for coastal scenery (Read the Trip Report)._MG_5656-EditAfter a short break, I then travelled back to Svalbard for my Wild Polar Bears expedition (Read the Trip Report). This was a fabulous expedition that saw us encounter twenty Polar Bears on the sea ice (including an absolutely superb encounter with a very curious mother and cub) in just the first three days. We also had numerous close encounters with Arctic Fox, Walrus and Reindeer and some outstanding images resulted from all aboard. If you haven’t seen it, be sure to watch the video from the 2015 expedition – Kingdom of the Ice Bear by clicking on the image below.Svalbard2016-24158KingdomoftheiceBearAfter Svalbard I returned to Iceland for the Summer season and lead two back-to-back expeditions into the Highlands with Daniel Bergmann (Read the Trip Reports). I never tire of returning to Iceland and eagerly look forward to each return visit and the incredible landscape and light this miraculous country continually serves up. This year we decided to specialise and spend as much of our time as possible off the tourist path, deep in some of the more remote highlands regions. Our first trip took us into the northern area of the highlands and the second into the southern region. Each offered unique opportunities for landscape imagery and each served up its usual share of Iceland weather and light._MG_6290-EditIn November I lead a brand new expedition to a very remote area of Antarctica to camp with Emperor Penguins on the sea ice in Gould Bay (Read the Trip Report). It took four years of planning, including a scouting trip last year before our expedition group would finally arrive on the frozen sea ice and get the opportunity to photograph the world’s largest and most difficult to reach penguin, the mighty Emperor. This was a life changing expedition for me and I am already putting plans in place to return to the sea ice and the Emperor Penguins in 2018. Be sure to check out the full portfolio of photographs on my website at www.jholko.comemperorsexpedition2016-20569-editAfter the expedition to the Emperor Penguins I guided one final trip to South Georgia Island and Antarctica – Photographers First Light. This fifteen day expedition saw us photographing in some of the world’s best locations for wildlife in South Georgia (full trip report coming soon), before we headed down to the Antarctic Peninsula. We had mixed weather and light on this expedition and quite frankly too many blue sky days for my liking. Nevertheless there was some wonderful opportunities to be had during a brief snowstorm in South Georgia and a heavy blizzard on the Antarctic Peninsula. I have really been enjoying seeing the fantastic photographs being shared on social media taken by all who participated on this expedition. My special thanks to Jenn and Erin from the Canon Collective for all their invaluable help and assistance during the expedition – thank you.southgeorgia2016-25481-editantarctica2016-26430-edit-2All up I led a total of eleven separate international workshops and expeditions in 2016 spread across the globe (not including some local private workshops to the Great Ocean Road as well as one-on-one Print workshops). A brief count tallies up around fifty plane segments and just over forty thousand exposures (wish they were all keepers!) and a lot more than forty hours of lost sleep. It was a fantastic year and I just want to thank all of you who I was fortunate to meet, travel and photograph with throughout the year. It was real privilege to share in such remarkable destinations with so many fantastic passionate photographers – thank you.antarcticaunionglacier-020272017 is shaping up to be an even bigger year than 2016 in terms of both miles and locations and I am really excited about whats in store. In January I will be heading back to Italy (I was last in Italy back in 2012) to be part of a new television series being filmed about photography that will be screened across Europe next year (more on this later). From Italy I am travelling to Finland on a private project to photograph Great Grey Owls and Hawk Owls (and hopefully Wolverine) in winter. I am really looking forward to this trip as I have not visited Finland before and to be heading there in winter is very exciting. I hope I can also offer this trip as a future workshop at a later date.

From Finland I am heading directly to Iceland to lead my annual winter workshop (Sold Out) with good friend Daniel Bergmann. We have continued to refine our itinerary from last year and will again spend the majority of our time in the frozen north seeking out spectacular snow covered landscapes and Aurora Borealis. We are also looking forward to partially frozen waterfalls, ice caves and more. Iceland in winter never disappoints and I look forward to returning to this miraculous country as often as I can.On the way to the End of the World - AntarcticaAfter our winter Iceland workshop I am leading a small group of photographers on a sold out expedition to the remote northwest peninsula to photograph Arctic Foxes in winter. This expedition will take us by boat to one of the very the same locations on which I worked on my Melrakki project over the previous three years. We will spend the better part of a week living with the foxes in a picturesque winter landscape.  I will have a full trip report on this expedition on completion next year.Fox AttackAfter I finish in the north of Iceland I am heading further north to Svalbard to make a new short film with good friend Abraham Joffe from Untitled Film Works (videographer from Kingdom of the Ice Bear). We have planned a snow mobile expedition out into the frozen winter landscape of Spitzbergen in search of Polar Bears. It is our hope to photograph and film both newborn cubs emerging from their dens and a seal kill on the frozen fjords. Look for this new short movie around the middle of next year.Polar Bear BluesOn return to Longyearbyen I am leading a new sold out winter expedition by ship to photograph both the frozen winter landscape of Svalbard as well as Polar Bears, Reindeer, Arctic Fox and Walrus in winter light. I have been looking forward to this expedition for more than two years now, having conducted a scouting trip back in 2013. The opportunities in Svalbard at this time of year for golden winter light are truly superb.svalbard-9725-edit copyIn May I am going to make the short hop across to the South Island of New Zealand to co-lead a Masterclass workshop with friend Phillip Bartlett. We have some really exciting locations lined up for this trip that include helicopter access into the remote back country and aerial photography over the spectacular Southern Alps. I always look forward to any chance to photograph in this spectacular country. Due to a cancellation we have one single place available on this Masterclass before it will be sold out. Please drop me an email if you are interested in joining us.NewZealand-2816-Edit52015After New Zealand I will lead a private workshop to the Great Ocean road in Australia and then down to Tasmania for photography down both the east and west coasts. Look for a future photography, food and wine workshop to Tasmania in 2018.

After Tasmania I will be returning to Iceland to lead a new Puffin workshop with Daniel Bergmann. The workshop is dedicated to photography of the Atlantic Puffin and other birds of Iceland including Fulmars, Kittiwakes, Guillemots (Murres), Arctic Terns and Razorbills. Iceland is one of the best places in the world to photograph Puffins and other Arctic birds in their natural environment. We will visit a number of different locations during this workshop where we will have outstanding access to the Puffins living in burrows on the edge of sea cliffs. We have timed our 2017 workshop to ensure we are in the best locations at the best times to photograph these wonderful birds. We will have hours of golden light under the spectacular midnight sun – ideal conditions for photography of the Atlantic Puffin. We still have a few spots available before the workshop will be sold out.UltimatePufinsIn July I will head back to Svalbard to lead my Polar Bears of Svalbard Expedition. We will depart from the small town of Longyearbyen and sail up to the edge of the permanent pack ice where we will spend out time searching for and photographing the king of the Arctic.Svalbard2016-5843-EditIn September I am travelling to the east coast of Greenland with Daniel Bergmann for two new back-back expeditions into the spectacular Scoresby Sund fjord system. Home to some of the most extraordinary geology to be found on earth, the red and orange glacial scarred landscape of Greenland stands in stark contrast to the electric blue icebergs that carve off its many glaciers and drift slowly down its precipitous fjords. It is a remote land of untamed and unbridled beauty that is rarely visited and even less rarely photographed. It is an incredible place to inspire the imagination and fuel your photographic desires.

The landscape and geology of the East Coast of Greenland is both stunning and extraordinary. Photographing this incredible landscape under soft golden Arctic light is our main objective. In fact, our entire expedition has been planned around us being on location at the best time of year for soft golden light. We will also see and photograph incredible castellated icebergs that have calved off the many glaciers of Greenland. Dramatic glaciers, plunging cliffs and beautiful drift ice formations will be present as well._H9P15170-EditFinally in November I am heading back to Antarctica for my White Nature Expedition to the peninsula. The main focus of this expedition will be Antarctic wildlife including penguins, seabirds, seals, and possibly even whales. We also plan to photograph snow and ice covered landscapes and icebergs. Our expedition has been timed as the first of the season so we expect fantastic icebergs and a breathtaking winter landscape. Very few photographers have visited Antarctica this early in November, and experience has shown us that this will give you the best possible photo opportunities.Iceberg in AntarcticaAmongst all of the above I hope to get back to Greenland in Winter after my Svalbard expeditions (we will see if time permits) to photograph with the Arctic Arts group.

Lastly, I want to wish all of you a very safe and happy New Year and may 2017 be one of amazing light and experiences for all of you. See you in the New Year.