Iceland Winter Wonderland Private Workshop Report March 2026

At the conclusion of my second 2026 Arctic fox workshop (Read the trip Report) to the Hornstrandir Nature Reserve in the far northwest of Iceland, I ran a private landscape extension workshop in the southwest and southeast regions. Both are locations I am intimately familiar with, having spent well over a year leading trips in Iceland over the last decade. Originally, my plan for this extension was to head east from Isafjordur, around the top of Iceland (through Myvatn), and then back down the east coast to the south before returning to Keflavik. Late winter weather, however, had something else to say about this plan, and snowstorms closed this route. So I decided to head directly south and we adjusted plans accordingly.

We began our workshop in the small town of Isafjordur (where we concluded our Arctic Fox workshop) in the north with a drive of around six and a half hours to the Snaefellsness region, which would be our base for the next couple of days. This region of Iceland is renowned for its basalt cliff formations and dramatic coastline. The Arnastapi area, in particular, is a superb location to explore on foot with a camera and a tripod. Each small bay offers a different perspective and different opportunities, from intimate landscapes to vast ocean vistas. Perhaps best known for its impressive basalt arch, this area also offers fantastic opportunities to photograph both Iceland gulls and Fulmars as they nest on the precipitous cliffs. In short, there is something here for both the landscape and wildlife photographer. Northern lights are always a possibility at this time of year, but activity was low during our week in the field, and frequent cloud cover meant we were able to get a good night’s sleep throughout the trip.

From Snaefellsness, we travelled east to the gorgeous seaside town of Vik, where we were fortunate to encounter incredible storm seas upon arrival, unmatched in my experience. Gale-force offshore winds had whipped the sea state into a chaotic, frenetic maelstrom, creating incredibly dramatic (and scary) conditions. We stood mesmerised from the safe vantage point of the breakwater, photographing this powerful display of Nature’s fury. I had specifically chosen this breakwater as our vantage point, away from the main town, as I knew this was where the seas were at their most violent. Despite being out of town, it did not take long for us to be surrounded by a dozen passing tourists, all keen to join us as we photographed the wrath of Mother Nature.

We also photographed the iconic sea stacks, which this area is known for. From Vik, we continued east to Jokulsarlon (the glacial lagoon), where we photographed ice on the black-sand beach and icebergs in the lagoon. We also visited nearby Fjallsárlón, which I always prefer for its glacial landscape. Crowds are usually much less at the smaller lagoon, and there are often icebergs frozen in place at this time of the year.

For our last evening, we travelled to Vestrahorn, where we photographed the stunning mountains of Stokksnes and reflections at sunset. This is an iconic location on Iceland’s southeastern coast, not to be missed. Mercifully, we had some of the best locations to ourselves and enjoyed several hours of photography up to sunset. Much has changed in Iceland over the last ten years, with the explosion in tourism and social-media Instagram locations making it virtually impossible to have locations such as this to yourself. One can still get lucky on occasion. Sunrise in particular offers the best chance for the lowest number of people at a given location.

The following day, we wrapped up our extension with a return drive to Keflavik for international flights home the following day. Iceland never fails to deliver, and all came away with exceptional images from this trip. My sincere thanks, as always, to those who participated in this extension and made it such a success.

Private workshops with my company Wild Nature Photo Travel are available by request. Please get in touch to discuss your needs, and we can tailor a trip to suit your requirements.

Arctic Foxes of Kviar in Winter in Iceland Workshop Report 2026 

In March of 2026, I ran my annual Winter workshop to Kviar in the Hornstrandir Nature Reserve in far northwestern Iceland to find and photograph Arctic foxes. This is a workshop I pioneered and have been running for more than ten years now. This year, our workshop was scheduled to run from the 7th of March until the 12th of March. However, the weather in early March this year in Iceland was erratic and wildly variable, and we ended up being delayed a day in Isafjord due to strong winds that made the boat crossing and landing at the beach at the cabin impossible. This one-day delay did not dampen our spirits, and early the following morning, we were safely on our way to our cabin in the Nature Reserve. As it turned out, the one-day delay would really pay off in terms of the conditions we would have for the duration of the trip.

With strong winds creating a large shore break that made landing at the cabin difficult, we decided to land a little down the coast at a small sheltered spit area, which necessitated a roughly 1km hike to our cabin. Thankfully, we were able to land our luggage at the cabin so it was only ourselves and camera gear that we had to carry. This is only the 2nd time in over a decade of travelling to this location that I have been unable to land directly at the cabin. The strong winds the day before had whipped the ocean waves up, and the breakers on the beach meant it was unsafe to land a zodiac with people. On arrival at the cabin, the foxes that live in the area were already curious and could be seen and photographed close to the house.

Our workshop accommodation was a cozy but rugged haven where we enjoyed a great atmosphere after a day out in the cold, photographing Arctic Foxes. The house was originally built in 1921. In 1948 (just 27 years later), the last inhabitants left this isolated arctic peninsula for a better life. The cabin was abandoned for many years and has recently been restored. Although no one lives here permanently, the cabin was a great getaway and the perfect place to accommodate us whilst we searched for and photographed wild Arctic Foxes. Curious Arctic Foxes frequently stopped past the cabin to investigate. We often photographed them from right outside the cabin.

Thank you to Jerry Weimar, who participated in this year’s trip, for the landscape photograph above. The cabin includes a bathroom, toilet, and hot shower. Bunk-bed accommodation with duvets provided, a full kitchen (chef to prepare meals and clean), and Hydronic and log-fire heating. There is power for laptop battery charging (generator provided) and an outdoor sauna.

Over the course of the workshop, we photographed four different blue-morph foxes, including three first-year cubs that I had photographed last year, a few days after they came out of the den (Read the Trip Report). This was one of the few opportunities I have had over the years to photograph multiple foxes together, and although the fight looks serious, it’s mostly play between siblings and no harm, no foul.

The weather on our second trip also continued its wild variation. We began with good snow cover on our first day, which melted during warm-front rain in the evening, only to be replaced the following day with non-stop snow that continued right up until our departure. This non-stop snow made for absolutely superb, albeit challenging conditions to photograph the Arctic Foxes.

Days three and four, we had continual, intensified snowfall and strong winds, making for incredibly dramatic photography. These are my absolute favourite conditions in which to photograph wildlife in this part of Iceland. The flying snow can make photography a little more difficult, but the results are absolutely worth the effort, and everyone made incredible photographs over the course of the trip.

On our scheduled day of departure, Iceland threw another of its winter weather curveballs at us, stranding us an extra day out at our cabin. This turned out to be a blessing, making up for our lost day at the beginning and providing us with more wonderful photographs in the dramatic winter snow conditions. Although it would have been possible to land at the beach on our scheduled departure day, the wind in the channel would have made the crossing impossible.

The Hornstrandir Nature reserve continues to serve up both an incredible experience and a continual opportunity to create powerful, evocative photographs of the Arctic fox. In my many years as a specialist polar photographer, I have yet to find or encounter a location that offers more reliable and better encounters in a winter setting.

We are returning again in February next year, 2027, to photograph these amazing Arctic survivors and will take a small group of just five photographers with us. To reach this unique location, you will first fly to Keflavik International Airport in Iceland, followed by an internal flight to Isafjordur, the official starting point of the workshop. From here, we will take a privately chartered boat to Hornstrandir. This trip also offers a unique perspective of the dramatic coastline, characterised by towering cliffs, deep fjords, and pristine natural beauty. If you would like to join us, please get in touch as places are extremely limited. Reserve your spot on this expedition and return with a portfolio of extraordinary images that few have had the privilege of capturing.

Arctic Foxes of Sletta in Winter in Iceland Workshop Report 2026

In March of 2026, I ran a small-group workshop for five photographers to the remote Hornstrandir Nature Reserve to photograph Arctic Foxes in Winter. Like my Pallas Cat of Eastern Mongolia Report, earlier this year, this trip report will be a little different to the norm. Due to my heavy travel schedule, I will come back later in the year and update this post with additional still photographs from the trip as time permits. Personally, I shot over 13,000 RAW images over the course of the trip, so I have more than a little editing, culling and processing to do.

Our workshop kicked off in the small northwestern town of Isafjord in the West Fjords on the 2nd of March, with a short, but bumpy boat ride across the bay of forty-five minutes to our remote cabin at Sletta in the Hornstrandir Nature Reserve. Our cozy cabin was our home away from home throughout our workshop and had all the amenities we needed to be safe and comfortable. With a local house sitter and cook to look after the cabin and amentieis we were free to focus on our photography.

This time of year, the days are getting longer in Iceland, with sunrise around 8:30am and sunset around 7pm (although light levels are typically already too low by 6pm on overcast days). Our days typically began shortly after breakfast with a two- to three-hour session with the foxes, then we broke for a hot, filling lunch and a short rest. Since the foxes are most active in the morning and late afternoon, we would begin around 2:30pm and shoot until we lost the light. This meant our days consisted of a few hours of photography in the morning until lunch time and again in the afternoon until we lost the light.

During this workshop, we had the opportunity to photograph both the Blue and White Morph Arctic Foxes almost every day. On several occasions, some of us were also fortunate to have them together for a brief interaction for those quick with the shutter. Moments like this are rare and require patience and a dollop of serendipity. When the foxes do come together, it is often for the briefest of moments, and one has to be ready and quick to catch the action.

Over the course of the workshop, we saw and photographed four individuals (one white and three blue), although most of our work was done with the white-morph fox.

During our workshop, we experienced the full range of conditions Iceland could serve up, including crazy wind and flying snow (who doesn’t love a good Arctic storm to photograph Arctic Foxes!), gentle, delicate snowflakes drifting on an Arctic sea breeze, and calm blue skies and sunshine. This mix of weather enabled us to create a broad, diverse portfolio of work over the course of our time in the Nature reserve.

We took the opportunity to vary our setting and background throughout the trip, frequently moving from the nearby beach area to the back mountains behind the cabin, the nearby waterfall and river and the far western beach. Background is critical to a great wildlife photograph, and by moving around, we gave ourselves the best opportunities to vary the setting for different photographs. Personally, I always like to try to capture a selection of images that help tell the story of the fox in its environment.

My sincere thanks, as always, to all the clients who participated in this trip and placed their trust in me and my company, Wild Nature Photo Travel, to deliver a wonderful, productive workshop with these amazing foxes. Just some of the feedback from our workshop is included below.

Ellen – You are so awesome! Thank you for a fantastic trip (as well as getting me back to the cabin!) This trip will stay in my mind for a very long time. Wishing you and Suzy a very happy and long life together!

Jack – Thank you SO much for making this another great adventure!! You always go above and beyond!

We are returning again in February next year, 2027, to photograph these amazing Arctic survivors. To reach this unique location, you will need to fly to Keflavik International Airport in Iceland, followed by an internal flight to Isafjordur, the official starting point of the workshop. From here, we take a privately chartered boat to Hornstrandir. This trip also offers a unique perspective of the dramatic coastline, characterised by towering cliffs, deep fjords, and pristine natural beauty. If you would like to join us, please get in touch as places are extremely limited. Reserve your spot on this expedition and return with a portfolio of extraordinary images that few have had the privilege of capturing.

Svalbard Golden Spring Light Expedition April 2027 Announcement

By popular demand, we have decided to offer another Svalbard Spring Light expedition in April next year. The expedition will run from the 7th to the 15th of April, 2027 and include nine nights / ten days. Early April is one of the very best times to visit Svalbard. At this time of year, the sun is still low in the sky, and the landscape is bathed in golden light.

This early Spring expedition to the archipelago of Svalbard is for keen and passionate wildlife and landscape photographers who want to capture evocative and powerful photographs of Arctic wildlife (including Polar Bears, Arctic Fox, Reindeer, Walrus and more) and dramatic ice and snow-draped landscapes in golden light.

Svalbard is one of the best places in the world to photograph Arctic wildlife and landscapes, and at this time of the year, the sun will be extremely low in the sky, casting a golden glow across the landscape. We have a small group size and personal, one-on-one tuition for the duration of the workshop. There will also be many landscape opportunities during this workshop, although our primary focus is always on polar bears when possible.

The landscape in and around the Svalbard archipelago is stunning and primordial. Glacier-scarred mountains dominate the landscape and will be a significant subject for our cameras during the expedition. The landscape opportunities are, therefore, as varied and important as the wildlife encounters.

We will use the ice-hardened expedition ship M.S Freya, enabling us to navigate deep into the pack ice, searching for and photographing Polar Bears, landscapes and other wildlife. M.S Feya is regarded as one of the best ships in the Arctic for Photography. Our expedition ship is also equipped with sufficient zodiacs (2 x Zodiac MKV models) and crew for all photographers to be shooting simultaneously, with plenty of room to spare for camera equipment – So bring what you need!

Full details are now on our website at www.jholko.com/workshops. Please get in touch to reserve your place.

Arctic Fox Cubs of Hornstrandir Nature Reserve Workshop Report July 2025

There are places in the world where time seems to be all but irrelevant—where silence has weight, and where life exists on the knife’s edge of wilderness. The Hornstrandir Nature Reserve, perched at the extreme northwestern edge of Iceland, is one such place. It’s here, amid weathered fjords and wind-bent tundra, that the elusive Arctic fox raises its young—unhunted, unharried, and at peace in one of the last true wilderness sanctuaries of the North.

From July 1st to 7th, 2025, I had the privilege of leading a small group of photographers deep into this forgotten corner of the world for a summer workshop focused on Arctic fox cubs. What unfolded over those seven days was extraordinary: four healthy, playful cubs, fresh out of their den, exploring the world for the very first time. We had timed our arrival perfectly.

Our journey began in Ísafjörður, a sleepy town surrounded by steep fjords that comes alive in the summer months. From there, we boarded a privately chartered boat, cutting across the still ocean waters to Hornstrandir—a region completely uninhabited, unreachable by road, and where nature reigns supreme.

Upon landing on the shoreline, we were met with calm winds, mild temperatures, and the telltale silence that defines this place. The weather, often a wildcard in the Icelandic summer, held beautifully in our favour—a perfect mix of overcast skies for soft light and clear days for contrast and depth.

We walked in with our gear, a short but deliberate walk through tundra meadows and coastal cliffs until we reached our remote cabin—our “home away from home” for the week. Modest, but wonderfully cozy, the cabin offered reliable power, heat, and a warm shower, giving us a comfortable base from which to photograph and recharge both batteries and bodies.

The Arctic foxes in Hornstrandir are protected under Icelandic law and unaccustomed to human threat. This gives us a unique window into their lives—a rare chance to observe them with minimal disturbance. We knew from previous years where a known female fox maintained her territory, and it was near this location that we carefully established our viewing distances, always respectful, always still. And then, like a miracle borne of silence: four cubs.

Emerging from the mossy lip of their den, blinking in the soft summer light, they appeared with hesitant steps and twitching ears. They were healthy, inquisitive, and full of energy, bounding across the lichen-covered rocks, chasing each other through patches of Arctic thyme, and occasionally collapsing in an exhausted heap under the watchful gaze of their mother.

The timing could not have been better. They had just begun venturing out from the den—still clumsy and unsure, but filled with curiosity. For a wildlife photographer, this is the golden moment: when behaviour is at its most revealing, when innocence radiates through every movement, and when images tell stories as ancient as nature itself.

What makes photographing foxes in Hornstrandir so special isn’t just the opportunity to see them—but the privilege to be so close to them. These animals, free from hunting pressure, exhibit a calm curiosity rather than fear. They observe, approach, and sometimes come so near you can hear the soft pad of their feet over the tundra.

Each day we returned to the den, observing routines and behaviours. The mother—sleek, somewhat shy, and blue-morph—would occasionally trot off on short hunting forays, returning with fish scraps or shellfish to feed her litter. The father appeared more often, showing no fear and regularly approaching for an inquisitive look at our cameras.

Photographically, we were gifted beyond measure. Overcast days gave us beautiful softbox light, perfect for portraits and detail-rich imagery. On clearer days, the drama of shadow and contrast lent itself to more stylized compositions. Whether it was cubs backlit in the golden light of an endless Arctic evening, or nestled in the moss under moody skies, every session offered something new.

The joy of these moments wasn’t just in the photography—but in the quiet communion with the land and its wild inhabitants. No roads, no cars, no noise. Just wind, sea, and the faintest rustle of foxes through grass. Arctic summer light is both gift and challenge. With nearly 24 hours of daylight, we were afforded unparalleled flexibility in our shooting schedule. We often chose to photograph in the “shoulder hours”—early mornings and late evenings when the light was most flattering and the cubs most active. Remarkably, the weather held throughout the trip. Overcast periods were long enough to allow deep exploration without ever feeling rushed. For a workshop in a location as volatile as the Hornstrandir coast, this was a blessing not to be understated.

One early morning brought backlit opportunities near to the den. The effect was sublime—foxes outlines luminous against the dark backdrop. We whispered to each other that it felt like being inside a dream, and the resulting images remain among the most evocative of the trip.

Our remote base was everything a field workshop should be: rugged, warm, and welcoming. After long hours on the tundra, we would return to hot meals, shared stories, and laughter around the table. We reviewed our images, shared techniques, discussed post-processing ideas, and most importantly, connected as a group of like-minded creatives driven by a shared love of wild places.

There is something profound about being unplugged from the world, present only in the moment and the landscape. No internet. No distractions. Just photography, nature, and the camaraderie that grows from shared experience.

While the fox cubs were our primary focus, Hornstrandir never fails to deliver more to the attentive eye. Ptarmigans, still in mottled plumage, clucked their way through the underbrush. Seabirds wheeled overhead—kittiwakes, Arctic terns, and the ever-charismatic black guillemots. Occasionally Harlequin ducks could be found and photographed at the river mouth.

One evening, as the sun dipped low across the fjord, a group of common seals surfaced near the shoreline, curious about our presence. And once, in the quiet hour just after midnight, I watched a white-tailed Eagle glide silently along the ridge—not common, but not impossible here.

Yet, no sighting ever pulled our hearts away from those cubs. Every time we returned to the den, it felt like a reunion. The trust they showed us grew stronger each day, and by the end of the week, we felt like we were witnessing the emergence of a new generation—one that had accepted our quiet presence as part of their world.

On our last morning, the light broke crystal-clear over the fjord. We made our way back to the den one final time. The cubs were more adventurous now, ranging further, playing harder, their confidence growing with every hour. We spent our final moments watching them tumble and yip, playing in the morning light. I watched through the viewfinder, but also over the top of the camera, wanting to etch this memory into my mind as much as onto my memory card.

Then, slowly, we packed our gear, said our goodbyes to the family we had quietly shared space with for a week, and began the walk back to the coast. Our private boat met us in the calm waters, and as we pulled away from Hornstrandir, the reserve faded into mist and memory.

This workshop was, without doubt, one of the most intimate, joyful, and meaningful I’ve ever had the privilege to lead. To witness and photograph Arctic fox cubs just as they emerge into the world is to be part of something deeply elemental—life at its beginning, in one of the world’s last great refuges. For all of us on the trip, the experience will echo long after the images are printed and the gear cleaned. It was more than photography. It was connection—to nature, to the wild, and to each other.

For those who feel the pull of the wild, who seek authenticity, silence, and the raw beauty of life on the edge—Hornstrandir awaits. Please get in touch with us to express your interest in a future workshop to this wonderfully wild and remote location.