Snow Leopard of Western Mongolia Workshop Report 2025

In mid January 2025 I ran a workshop to the Altai mountains in Western Mongolia to find and photograph the ghost of the mountains – the Snow Leopard. This was my second workshop to this region of Mongolia in Winter and it included a number of incredible sightings and photography sessions with this stunningly beautiful cat.

We kicked off our workshop in the capital of Mongolia with a two-hour flight to the small town of Khovd in Western Mongolia. From here we took our pre-arranged 4-wheel drives another two and a half hours into the wilderness to our base camp on the upper steps of the Altai mountain range. The altitude at base camp is around 2100 metres, so quite comfortable for day-to-day living. Operational altitude is quite a bit higher toping out around 10,000 feet or just over 3000 metres.

This year the snow conditions in this part of Mongolia were superb with an excellent covering of snow at both base camp and on the mountains.  Snow conditions are extremely unpredictable from year to year and even when conditions are ideal, the snow often doesn’t last long. Even though temperatures are frequently below -20º Celsius, the snow melts fast due to a combination of direct sun exposure and extremely dry air. The snow often goes straight to gas form, meaning there is no melt water lying around. We witnessed an astonishing amount of snow sublimate in just two days when it was below -20º Celsius with constant sunshine.

Snow Leopards are notoriously difficult to find and even harder to photograph, so to give us the best possible chance we utilised three fit young local trackers who live in the mountain region around base camp. Equipped with radios and fit as navy seals on pay day our trackers would go up into the mountains every day before sunrise and search for signs of recent passing of Leopards. It wasn’t long on our first day before our trackers sent back word of a leopard high in the mountains. We quickly grabbed our camera gear and began a one hour plus hike up the steep sides of the mountain screen slope. After some difficult climbing we reached a small snow covered plateau of sorts where our trackers advised us to wait. The Leopard was now on the move and no one (including the trackers) knew exactly where it was.

From our vantage point on the side of the mountain we were limited in what we could see due to the incredibly steep rocky terrain, low cloud and significant ice crystals in the air that hampered visibility. Nevertheless I was determined to try and locate the leopard and after roughly half an hour of searching with my binoculars I found it on the move between a rocky ravine covered in snow. The Leopard was moving quickly and after getting everyone onto the leopard with their cameras I managed to grab a photograph I am extremely pleased with. What I love about this photograph is the environment surrounding the leopard. Many photographs of Snow Leopard have less than ideal backgrounds, but in the snowy conditions we were able to capture the leopard in wonderful context.

Over the course of the next week we had several other sighting and encounters with Leopards in the area that included an incredible display of interaction between a male and female high on the near vertical sides of one of the mountains. This encounter was mesmerising to watch, as the male leopard tracked the female across the side of the mountains. When they finally came together we could hear female growling from the base of the mountains. This sort of interaction is incredibly rare to witness and was a real highlight of the trip. Photographically it was challenging as the leopards were at a significant distance and on a near vertical rock face that was impossible to reach – nevertheless, the encounter was enthralling.

The photograph of the month I recently posted for January 2025 was also shot during this workshop. Although this is not an image of Snow Leopard, it is probably my favourite wildlife photograph from this trip. The silhouette is of a Mongolian Ibex that appeared at the very top of this mountain range for a few moments while we were milling around the vehicles at the base of the mountains. At the time the Ibex appeared, my camera was packed up in the car as we had just returned from hiking in the mountains. Hastily I grabbed my camera bag and pulled out the R1 with the 600mm and 1.4 TC. I immediately recognised that this photograph was going work best as silhouette and set my exposure accordingly. Mercifully, the Ibex remained and posed for the perfect silhouette before disappearing again over the ridge. This sort of photograph is pure serendipity and can never be planned. The key takeaway for me is not just to remain prepared in the field, but also to recognise opportunity when it presents for this sort of silhouette.

On our last day we also spotted a wolf high on top of a distant snow covered mountain – unfortunately too far to photograph, but absolutely wonderful to see and experience. This was my first encounter with a wolf in Mongolia. We also had some superb cultural experiences and opportunities and although people photography is not my thing, I could not resist the chance to photograph one of our trackers young kids before he set off into the mountains to shepard the sheep and goats.

I will return to the mountain regions of Mongolia again early next year in January 2026 in search of this incredible ghost of the mountains. If you would like to join myself and Wild Nature Photo Travel on this unique experience in Mongolia please get in touch to register your interest. Places are filled on a first come first served basis. The 2026 workshop will run from the 13th of January until the 24th of January which is the perfect time for winter conditions to photograph this powerful cat. We will be taking just four people on this workshop to ensure the best possible photographic opportunities and experience for all.

Photograph of the Month January 2025 – Mongolian Ibex

Kicking off the 2025 year, the photograph of the month for January comes from my just completed expedition to Western Mongolia for Snow Leopard (Trip Report coming soon). Although this is not an image of Snow Leopard, it is my favourite wildlife photograph from this trip. The silhouette is of a Mongolian Ibex that appeared at the very top of this mountain range for a few moments while we were milling around the vehicles at the base of the mountains. At the time the Ibex appeared, my camera was packed up in the car as we had just returned from hiking in the mountains. Hastily I grabbed my camera bag and pulled out the R1 with the 600mm and 1.4 TC. I immediately recognised that this photograph was going work best as silhouette and set my exposure accordingly. Mercifully, the Ibex remained and posed for the perfect silhouette before disappearing again over the ridge. This sort of photograph is pure serendipity and can never be planned. The key takeaway for me is not just to remain prepared in the field, but also to recognise opportunity when it presents for this sort of silhouette.

Puffins and Razorbills Workshop Two Place Availability June 2025

Due to a recent medical cancellation there are two places that have just become available on my Puffins and Razorbills workshop on Grimsey Island, Iceland this June. The workshop will run from June 3rd until June 8th, 2025 and includes all accomodation and food on Grimsey Island as well as Ferry tickets, private vehicle transfers in Iceland and of course all in field tuition and instruction – plus of course amazing photographic experiences with Atlantic Puffins! Please get in touch if you would like to secure a place or would like additional information.


This bespoke, custom-tailored workshop to Grimsey Island, north of Iceland, is for keen and passionate wildlife photographers who want to capture dramatic and powerful photographs of Puffins, Razor Bills, and other Arctic birds. Grimsey Island is the best place in the world to photograph the Atlantic Puffin and Razor Bill under the midnight sun. We have a small group size and personal, one-on-one tuition for the duration of the workshop. There will also be landscape opportunities during this workshop, although our primary focus is Puffins and other birds such as Razorbills.

WNPP Episode 111 Wrapping up 2024 and 2025 Whats in Store?

I have just published episode 111 of my Wild Nature Photography Podcast.  In this episode, I look back at the incredible year 2024, the travel, the countries, experiences, and photographs, and I look forward to travelling and participating in workshops in 2025. 2025 kicks off in just a few days with travel from Australia to Mongolia for back-to-back workshops for Pallas Cat and Snow Leopard in both the far east and west of this amazing country. This will be quickly backed up by two back-to-back Arctic Fox workshops in the far north of Iceland. It’s promising to be a huge year, and I am super keen to get underway.

Although I am covering most of the review content for the 2024 year and the upcoming 2025 workshops in the podcast I do want to single out a few items below.

In competition terms, 2024 was consistently positive for me. I was a finalist in Bird Photographer of the Year (for the second year in a row), took first place in the people’s choice award in the Asia/Pacific Photography awards in the Nature category. I was also very pleased to take out both Gold and Silver awards in the Australian Photographic Prize and was a grand finalist in the same award. I was also a finalist in both the portfolio and single shot categories in the Travel photographer of the Year competition (winners yet to be announced). Lastly I was delighted to represent Australia again at the World Photographic Cup (the Olympics of Photography). I still lament the loss of the APPA’s (Australian Professional Photography Awards) as the then only photographic print awards. Hopefully, new print awards will emerge in the Nature / Wildlife category in another competition in the near future. On top of the above, I was also announced as a multiple semi-finalist in Nature’s Best Photography. 2024 has been a solid year; despite my lack of entries in the various competitions, I managed to either win, place or be a semi-finalist in almost everything I entered.

In equipment terms, 2024 was the year of the EOS R3 for me (I did not take delivery of the EOS R1 until December this year). The Canon EOS R3 has been nothing short of a game-changing tool in my photography and has served me faithfully in everything from the extreme -55º Celsius of Ellesmere Island in Winter to the heat of the African desert. It was my first serious commitment to the RF mirrorless line, and I have never looked back. I only recently updated to the all new EOS R1 just in time for my last workshop of the year (the Emperor Penguins – Read the Trip Report). Summing up the EOS R1 is easy – It is an EOS R3 dialled up to 11. With the addition of pre-capture, 40 frames per second RAW shooting, world leading auto focus and an EVF to die for it unsurprisingly gets my vote for camera equipment of the year. I am very much looking forward to shooting with the EOS R1 next year.

My book pick for the year goes to my recently reviewed ‘Munier’ (Listen to the Podcast) by Vincent Munier. This is not the first time Vincent has graced my book of the year list (I believe this is the third time!), and this 2024 addition should be no surprise, as I am a big fan of his work. ‘Munier’ is a masterpiece and deserves a home in every Nature photographer’s library. If you do not yet own this book, you should run to order it. If you only buy one book this year – this should be it.

If I had to sum up 2024 in one word, it would be ‘gratitude.’ I am grateful to have shared my passion for photography with many like-minded individuals. I am likewise grateful for a safe and prosperous year and for the incredible experiences throughout the year. My sincere thanks to all who travelled and participated in one of my trips this year; it was beautiful to have such fantastic shared experiences. It was an incredible year of travel and photography that sometimes left me breathless at the pace and intensity. Don’t forget to check out my twelve favourite photographs for the year HERE.

For those of you who have managed to make it this far and want a glimpse into 2026 and beyond, I have now uploaded most of 2026 and a hint of 2027 to the workshops page of my website at www.jholko.com/workshops. With Russia and the Siberian Tigers still currently shut down indefinitely, I am working on several other large cat projects. I also have a very exciting all new fly-in fly-out Antarctic peninsula expedition for just ten people in early 2027. More to come next year.

Last and certainly not least, I wish all of you a very safe and happy New Year, and may 2025 be one of health, happiness and one of travel, amazing light, and experiences for all of you. See you in the New Year!

Wild Nature Photo Travel Photography Podcast Wrap up 2024

Another year has come and almost gone for the Wild Nature Photography Podcast. I am pleased to report that 2024 has been our biggest year yet with more episodes and more downloads than any previous years and I just wanted to take a moment and say thank you for the continued support that has enabled our podcast to grow and reach more people – thank you. I set out with the intention of trying to do a podcast every other week during the 2024 year and more or less achieved that with a few small gaps here and there. There is another podcast coming pre-Christmas, I have just been getting over a nasty cold I picked up somewhere in South America after Antarctica and have only just started to feel better. Of course, 2025 is now right around the corner and I hope maintain the momentum and continue to grow the channel over the course of the year. If you would like to support the channel you can do so here by buying me a coffee. Your contribution helps with the ongoing hosting costs.

Not surprisingly, the most downloaded episode for 2024 was when I dropped the news that the Canon EOS R1 would be 24 megapixels (it was amazing how quickly the YouTubers grabbed this news for their own videos). The old adage that gear sells remains true in photography with podcasts about equipment unsurprisingly attracting the most downloads. Nevertheless, I intend to continue to review photography books as I maintain they are still the very best way to improve your photography and that new equipment (although fun, is frequently detrimental to the end result in the short term). Of course, there will always be more gear talk (I enjoy that as much as the next photographer), but there is so much more to Nature photography than the equipment we use. Some Podcast statistics for 2024 below.