Without a doubt, my favourite conditions for photographing the Arctic Fox are winter blizzard conditions. The flying snow creates a white-out that cleans up any background mess, and the flying snow sticks to the fox’s coat and gives extraordinary context and much-needed drama. These conditions define the environment of the Arctic fox and paint the perfect canvas on which to photograph this amazing opportunist. Contrary to appearances, these conditions are far easier to photograph in than they appear. With modern auto focus in mirrorless equipment, the cameras have no problem finding and tracking the eye of the Arctic Fox in these conditions. In past years, I would often stop down the lens to ensure adequate depth of field if focus missed slightly. Now, with eye-auto focus, I can open up the lens and shoot wide open, as in this case – f4 at 600mm. Why shoot wide open? A wide-open aperture helps soften the surrounding snow’s slope, creating a contained picture inside the 35mm frame. This technique can be used to great effect to help keep the viewers eye both inside the frame and on subject.
The Arctic fox, with its thick fur coat and keen survival instincts, is one of the most iconic animals of the polar regions. For photographers, it represents a unique challenge and an unparalleled reward. Over the years, I have spent countless hours tracking and photographing this elusive creature in northwestern Iceland. Photographing the Arctic fox’s beauty has been my mission, but also the stark and fragile environment it inhabits. Some years ago I did a book on the Arctic Fox that covered my time spent photographing these animals in Winter. I will soon be starting work on a subsequent book on this incredible feat of Nature’s engineering. In the meantime, I wanted to share some of my thoughts and ethos on photographing these animals as the Arctic Fox remains one of the least understand and most persecuted Arctic mammals.
The Arctic fox is a true survivor of the extreme cold and desolate landscapes of the Arctic. Known for its striking seasonal changes—white (or brown) in the winter and blue/grey or grey in the summer—it blends into its environment, making it both a challenging and fascinating subject for photography. For me, the appeal of the Arctic fox lies not only in its visual charm but in its adaptability and resilience. Photographing Arctic foxes is about more than just snapping a picture of a rare Arctic animal—it’s about telling the story of an incredible species that thrive in some of the harshest conditions on Earth. Their playful, inquisitive nature, juxtaposed against the severe landscapes of ice and snow, creates opportunities for compelling visual storytelling.
One of the most significant challenges of Arctic fox photography is their elusive and cautious behaviour. These animals are small and nimble, often disappearing into the vast white landscape before a photographer can even reach for their camera. They are exceptionally fast, and their natural camouflage, especially in winter when their fur blends perfectly with the snow, makes spotting them difficult even in open tundra landscapes.
The importance of patience when photographing Arctic foxes cannot be underestimated. The best photographs are rarely the result of luck—they are the product of careful observation, waiting, and understanding of the animal’s behaviour. This means spending long hours in freezing temperatures, often in complete silence, waiting for the right moment when the fox reveals itself in the right light and setting. Patience is, after all, a key requirement in wildlife photography.
Despite the challenges, the experience is most definitely part of the adventure. “It’s not about rushing to get the shot,” instead, “it’s about immersing yourself in the environment and allowing nature to unfold in front of you.” Like many of the region’s inhabitants, the Arctic fox demands a photographer’s respect and humility.
The Arctic fox’s home is a land of extreme cold in Winter, and being prepared is paramount. Inferior camera gear can struggle in freezing conditions, so I recommend using weather-sealed cameras and lenses, along with a solid tripod, to prevent camera shake in high winds or on uneven terrain like ice and snow. Batteries drain quickly in the cold, so he always carries spares, keeping them warm in inner pockets.
Another important consideration for Arctic fox photography is clothing. Always dress in layers, making sure to keep your core warm while ensuring you can remain mobile. Staying warm and comfortable is crucial because wildlife photography, especially in the Arctic, often involves long periods of stillness while waiting for the perfect shot. It is a good idea to avoid overburdening yourself with too much gear. “Stay nimble,”. The Arctic fox is quick and often unpredictable, so a heavy gear load can slow you down. Typically, I will use long telephoto lenses for wildlife photography, such as 400mm or 600mm, allowing me to capture the fox from a respectful distance without disturbing its natural behaviour. I also have a preference for the look of wildlife images with telephoto compression.
Success in Arctic fox photography stems from an understanding of the animal’s behaviour and habitat. Arctic foxes are scavengers, often following polar bears and other predators searching for leftover food. Anticipating their movements increases the chances of an encounter. The best moments to photograph Arctic foxes often happen when they are unaware of human presence. We need to avoid making loud noises or sudden movements that could scare the fox away. Instead, we observe from a distance, allowing the fox to go about its activities naturally. Whether it’s searching for food, playing with its mate, or navigating the snowy landscape, these moments are intimate glimpses into the life of this extraordinary animal. We are also mindful of the light and the environment in which we photograph Arctic foxes. The Arctic’s soft, diffused light—especially during the golden hours at sunrise and sunset—casts a magical glow over the landscape, enhancing the fox’s natural beauty. I prefer these times of day for their softer contrasts and ethereal feel, which help convey the serenity and isolation of the Arctic wilderness.
Photography is about more than just technical precision. It’s about capturing emotion and telling a story. In Arctic fox photography, this often means finding ways to highlight the animal’s fragility and resilience in an unforgiving environment. I love images portraying the fox as a solitary figure amidst vast, barren landscapes, reinforcing the isolation that defines much of the Arctic. By placing the fox in wide, empty frames, I can underscore its challenges as a small predator in a vast wilderness, subtly commenting on the environmental threats posed by climate change.
In some photographs, it’s possible to show the Arctic fox’s lighter side, offering a sense of hope and vitality even in such a stark environment. These contrasting moods—loneliness and playfulness, vulnerability and strength—are key elements in an effective storytelling approach to wildlife photography.
Photography in the Arctic is not just about creating stunning images; it’s also about raising awareness of the threats facing this fragile ecosystem. The Arctic fox, while adaptable, is increasingly vulnerable to climate change. As temperatures rise and sea ice retreats, their hunting grounds are shifting, and competition with other predators, like the red fox, is intensifying. It is my hope to inspire others to not only appreciate the beauty of the Arctic but also to take action to protect it. Our photographs serve as a powerful reminder of what’s at stake, offering a window into a world that is rapidly changing.
My own approach to Arctic fox photography, I believe, is defined by patience, preparation, and a deep respect for the natural world. My images capture the Arctic fox in its element, offering a rare glimpse into the life of one of the Arctic’s most enchanting creatures. Through the lens, the Arctic fox becomes more than just a subject; it becomes a symbol of the Arctic’s resilience and vulnerability, inviting viewers to connect with both the animal and its environment in profound ways.
For those inspired by my work, the challenge of photographing the Arctic fox is an invitation to step into one of the most extreme and beautiful landscapes on Earth, where patience and persistence are rewarded with images that evoke the timeless spirit of the frozen North.
A single private cabin place has just become available on my Ultimate Polar Bears of the High Arctic expedition, which will take place June 10th – June 27th, 2025. An 18-day expedition is an all-new opportunity to venture far north, east and west of Svalbard into the pack ice in search of Polar Bears. If you have ever wanted to photograph Polar Bears on a dedicated trip with like-minded, passionate photographers, this is the expedition you want to participate in. With 18 days, we will sail far north into the permanent pack ice, looking for and photographing the King of the Arctic. We can sail much further east and west with our extended time than all the other eight and nine-day expeditions. The extra time will give us many unique opportunities to encounter and photograph this incredible high-arctic predator. If you are keen to photograph the King of the Arctic, please drop me an email to express your interest. First come, first served.
The just-published July / August 2024 issue of Wildlife Photographic magazine includes one of my photographs of Emperor Penguins on the front cover and a feature article on my experiences photographing Emperors in the deep south of Antarctica. This is the seventh time I have been published in Wildlife Photographic and the sixth time I have been fortunate to score the cover shot! (the last five cover shot editions were on Walrus photography, Grey Wolf Photography, Pallas Cat Photography, Arctic Fox Photography, and Polar Bear Photography). I have also been previously been published in Wildlife Photographic for my Emperor Penguin photography.
Wildlife Photographic can be read on iOS and Android devices, as well as from any computer via our Web Reader at MagsFast. Please use the following link to obtain your free issue: Free Subscription to Wildlife Photographic Magazine.
The photograph of the month for July 2024 comes from my recent Zululand South Africa masterclass workshop (Read the Trip Report) and is of two Cheetah brothers playing at sunset. This was an extremely fortunate situation whereby we came across the Cheetahs in an open area of the game reserve right at sunset. I had the luxury of choice of how to shoot this scene and could have chosen to side-light it or even to take it front-lit. However, it was immediately clear to me that the backlight would provide the most dramatic image. The key to this sort of image is to always expose the brightest part of the frame (the sun) and to let the shadows fall where they may. In this exposure, the shadows were quite dark, and I opened them just slightly in post-production to give just a hint of the Cheetah’s spots. Of course, the moment is dramatic, with both Cheetahs off the ground. A fast shutter speed ensured both cats were sharp, and I stopped the 400mm f2.8L lens down to f6.3 to ensure I had sufficient depth of field to keep both cats sharp. The low angle of view was achieved by lying down in the grass – one of the key benefits to this particular location.
I am offering this masterclass workshop again in May next year -May 7th to May 16th 2025. Whether it’s your first visit to Africa or you’re a seasoned safari-goer, the 2025 Zululand ground-level wildlife masterclass offers an incredible opportunity to photograph African wildlife at eye level. The exclusive camp takeover provides unmatched access and flexibility, enhancing the photographic experience for all participants. With only a few places remaining, please contact me soon to secure your spot. This workshop is an extraordinary adventure, offering unique and powerful photographic opportunities.